{"title":"🎌LIVES IN JAPAN","description":"\u003cp\u003eLive Recordings in Japan – Bootleg CDs\u003c\/p\u003e\n\u003cp\u003eJapan has long been one of the most important destinations for major rock and \u003cbr\u003emetal artists. Since the 1970s, countless legendary concerts have taken place \u003cbr\u003ein cities such as Tokyo, Osaka, and Nagoya, attracting passionate audiences \u003cbr\u003eand devoted music fans.\u003c\/p\u003e\n\u003cp\u003eMany of these performances were captured through audience recordings and, \u003cbr\u003ein some cases, soundboard recordings, making Japanese concerts especially \u003cbr\u003epopular among collectors around the world.\u003c\/p\u003e\n\u003cp\u003eThis collection features rare bootleg CDs of live performances recorded in \u003cbr\u003eJapan, including historic concerts and limited press releases sought after \u003cbr\u003eby rock and metal collectors.\u003c\/p\u003e","products":[{"product_id":"helloween-halloween-osaka-japan-2023-s-v","title":"Helloween Halloween\/Osaka,Japan 2023 S \u0026 V","description":"\u003cdiv id=\"pi_cart\" class=\"layoutp3\" data-mce-fragment=\"1\"\u003e\n\u003cform name=\"ZOOM\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/SHOP\/zoomitem.php\" data-mce-fragment=\"1\" target=\"zoom\"\u003e\u003c\/form\u003e\n\u003cform name=\"CARTIN\" class=\"shopping_form\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/CART\/cart.php\" data-mce-fragment=\"1\"\u003e\u003c\/form\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe live performance at the Orix Theatre in Osaka on September 14, 2023, is coupled with the best quality sound and video from the band's one-time visit to Japan in Osaka and one-time visit to Tokyo in 2023. The first performance at Nippon Budokan in Tokyo was broadcast live by a satellite broadcasting station, so fans should have seen it. The Osaka show, which was held earlier, had the same set content as the overseas shows and the Budokan, but fans in the Kansai region who visited the Osaka show will be happy to be able to experience the same show again in this way. The sound using the latest digital equipment can be said to be at the highest level of audience recording, and the video is also HD quality, using the latest equipment, from a position looking straight ahead at the center of the stage, and the camera work that captured all the important parts from one end of the stage to the other is also perfect. The camera work was also perfect, and the Japanese original animation just before the Kai Corner was also perfectly done. The live set included \"Skyfall,\" \"Mass Pollution,\" and \"Best Time\" from the album \"Helloween,\" which was released after the band became a 7-member band, as well as a wide range of songs from the 4-member era, the classic album \"Guardian Goden,\" and Andy's era. The opening song \"Skyfall\", a new song and a big song, was played right away, \"Save Us\" was played for the first time in 34 years, and \"Metal Invaders\", \"Victim Of Fate\", and \"Gorgar\" were included in the medley of Kai's early songs. Live at ORIX Theater, Osaka, Japan 14th September 2023 : from Original Audience Masters \/ COLOUR NTSC Approx.131min Disc:1 : 1. Orbit 2. Skyfall 3. Eagle Fly Free 4. Mass Pollution 5. Future World 6. Invaders 10. Victim Of Fate 11. Gorgar 12. Ride The Sky 13. Heavy Metal (Is The Law) Disc:2 : 1. MC 2. Best Time 5. Dr. Stein 6. How Many Tears 7. Perfect Gentleman 8. Keeper Of The Seven Keys 9. Daniel Löble Solo 10. I Want Out DVD : 1. Free 4. Mass Pollution 5. Future World 6. Ride The Sky 14. Heavy Metal (Is The Law) 15. Forever And One (Neverland) 16. Sascha Gerstner Solo 17. Best Time 18. Dr. Stein 19. How Many Tears 20. Gentleman 21. Keeper Of The Seven Keys 22. Daniel Loble Solo 23. I Want Out Michael Kiske - Vocals \/ Andi Deris - Vocals \/ Kai Hansen - Guitar, Vocals \/ Michael Weikath - Guitar \/ Sascha Gerstner - Guitar \/ Markus Grosskopf - Bass \/ Daniel Löble - Drums\u003c\/p\u003e\n\u003cdiv id=\"pi_cart\" class=\"layoutp3\" data-mce-fragment=\"1\"\u003e\n\u003cform name=\"ZOOM\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/SHOP\/zoomitem.php\" data-mce-fragment=\"1\" target=\"zoom\"\u003e\u003c\/form\u003e\n\u003cform name=\"CARTIN\" class=\"shopping_form\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/CART\/cart.php\" data-mce-fragment=\"1\"\u003e\u003c\/form\u003e\n\u003c\/div\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46782871732528,"sku":"CDN-11616.html","price":89.87,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/CDN-11616-1.jpg?v=1695523859"},{"product_id":"toto-nippon-budokan-2023-finalized-tokyo-japan-7-21-2023-s-v-complete-iem-matrix-editiondition","title":"Toto \/ Nippon Budokan 2023 Finalized Tokyo,Japan 7.21.2023 S \u0026 V Complete IEM Matrix Editiondition","description":"\u003cspan data-mce-fragment=\"1\"\u003eFrom a label renowned for its Japan tour-related products, the July 21 live performance at Tokyo Budokan, the highlight and final date of the eight-show Japan tour in 2023, is now available in a multi-stereo IEM matrix on 2 The CD also includes a Blu-ray with a multi-camera audience video of the event. The first is the label's well-known multi-IEM matrix source, using line sources from multiple uncompressed multi-ear monitor sources used by the band members on stage for monitoring. The multiple monitor sources, each with a different mix balance, were mixed in stereo with perfect mixing and localization, and even the IEM sources of the supporting members were mixed, making this title ready for official release without the use of audience sources. The U.S. tour in early spring was a short set, as it was a coupling tour with Journey, but of course the Japan tour was a full set. The live performance content of the \"The Dogz of Oz Tour,\" which has been touring around the world, has changed considerably since their last visit to Japan four years ago. and \"Orphan\" were performed for the first time this time. The band's ensemble, led by Luke and Joseph, is also very strong, and the full live performance, which is appropriate for the 45th anniversary of the band's debut, is presented in official quality. The limited edition Blu-ray contains 1 hour and 46 minutes of full-length audience footage from the day of the show, using multiple cameras. The digital camera footage was shot from the stands in front of the stage and from close range on the side of the stage, and was professionally edited using the latest equipment to recreate the entire live show in a pro-shot-like multi-camera format, making it a spectacular finish. Disc 1 : 01. Intro 02. Orphan 03. Love 04. Hold the Line 05. Falling in Between 06. I'll Be Over You 07. Keyboards Solo 08. White Sister 09. Georgy Porgy 10. Pamela Disc 2 : 01. 02. Drums Solo 03. Waiting for Your Love 04. I'll Supply the Love 05. Band Introductions 06. Home of the Brave 07. Rosanna 08. With a Little Help From My Friends 10. Outro Live at Budokan, Tokyo, Japan 21th July 2023 : XAVEL ORIGINAL MSATER \/ Multiple Stereo IEM Sources Matrix Recording Limited Blu-ray : 01. Intro 02. Orphan 03. Afraid of Love 04. Hold the Line 05. Falling in Between 06. I'll Be Over You 07. Keyboards Solo 08. Sister 09. Georgy Porgy 10. Pamela 11. Kingdom of Desire 12. Drums Solo 13. Waiting for Your Love 14. I'll Supply the Love 15. Band Introductions 16. With a Little Help From My Friends 20. Outro Live at Budokan, Tokyo, Japan 21th July 2023 : 2 Camera Mix Audience shot \/ Multiple Stereo IEM Matrix Audio \/ time 106min\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46787571679536,"sku":"CDN-11613.html","price":84.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/Toto-NipponBudokan2023Finalized-Japan-7.21.2023-1.jpg?v=1695537665"},{"product_id":"liam-gallagher-liam-gallagher-toyosu-pit-2023-finalized-tokyo-japan-2023-s-v-complete-iem-matrix-edition","title":"Liam Gallagher Liam Gallagher \/ Toyosu PIT 2023 Finalized Tokyo,Japan 2023 S \u0026 V Complete IEM Matrix Edition","description":"\u003cspan data-mce-fragment=\"1\"\u003eFrom a label renowned for its Japan shows, this is a live performance at Toyosu PIT in Tokyo on August 22, a one-time-only show for the main event in 2023. The DVD also contains audience footage of the performance, which was reproduced by multi-camera system. The DVD also includes a multi-camera audience video of the event. The first is the label's well-known multi-IEM matrix source, using line sources from multiple uncompressed, multi-ear monitoring sources used by the band members on stage for monitoring. The stereo mix is made from multiple monitor sources with different mix balance and localization, and the result is a level that can be officially released without using audience sources. The only solo performance at Summer Sonic two days earlier was a short festival-style set, but this was a full set, and the number of Oasis songs increased significantly, so the small hall was packed and the venue was always in a state of shaking chorus, and the realism of that day's performance is captured in a sound so real that you can flash back to it. The sound was so realistic that it brought back flashbacks of that day. The audience was already excited as the background music, \"I Am The Resurrection\" by The Stone Roses, started to play. Liam, who is in great shape, seemed to be inspired by the tremendous excitement of the performance. In addition, \"Roll It Over\" by Oasis, which has been in his repertoire since last year, could finally be heard in Japan, and \"Shockwave,\" a solo song that was finally performed in Japan, looked great live, as well as the wonderful choral interaction. The last song was Jimi Hendrix's \"Are You Experienced? This was a rare number that had only been played once before at an event in the U.K. The best performance of the day, including all of the above, was reproduced in official quality. The DVD also includes 1 hour and 31 minutes of full audience footage of the day's performance, using multiple cameras. All of the digital camera footage is from sources previously found on the web, and the DVD is professionally edited using the latest equipment to recreate the entire live performance in a pro-shot-like multi-camera format, making it a truly spectacular finish. Disc 1 : 01. Intro (Fuckin' In The Bushes) 02. Morning Glory 03. Rock 'N' Roll Star 04. Wall Of Glass 05. Shockwave 06. Better Days 07. Stand By Me 08. Roll It Over 09. Slide Away 10. More Power Disc 2 : 01. Diamond in the Dark 02. The River 03. Once 04. Cigarettes \u0026amp; Alcohol 05. Roll With It 06. Wonderwall 07. Champagne Supernova 08. -Live at Toyosu PIT, Tokyo, Japan 22nd August 2023 : XAVEL ORIGINAL MASTER \/ Multiple Stereo IEM Matrix Recording Limited DVD : 01. Opening (Fuckin' In The Bushes) 02. Morning Glory 03. Rock 'n' Roll Star 04. Wall Of Glass 05. Shockwave 06. By Me 08. Roll It Over 09. Slide Away 10. More Power 11. Diamond In The Dark 12. The River 13. Once 14. Cigarettes \u0026amp; Alcohol 15. Roll With It 16. Wonderwall Live at Toyosu PIT, Tokyo, Japan 22nd August 2023 : time 91min \/ Multi Camera Audience Shot \/ IEM Matrix Sound]from Original Masters Liam Gallagher - vocals \/ Jay Mehler - guitar, backing vocals \/ Mike Moore - guitar \/ Barrie Cadogan - guitar \/ Drew McConnell - bass, backing vocals \/ Adam Falkner - drums \/ Chris Madden - keyboards \/ Gene Gallagher - drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46796368216368,"sku":"CDN-11612.html","price":86.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/LiamGallagher-ToyosuPIT2023Finalized-Japan-2023-1.jpg?v=1695597435"},{"product_id":"beatles-beatles-japanese-e-p-collection-original-analog-masters","title":"Beatles Beatles\/Japanese E.P. Collection Original Analog Masters","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe must-have label for Beatles fans has released the complete E.P. Collection (a compact series of four tracks), which was released only in Japan in the 1960s, in its original analog format of the time. The latest revised edition in 2023 is released. * The E.P. Collection (4-track compact vinyl series) was originally released between 1964 and 1967, and was originally planned in Japan. *In the 1960s, as Beatles records were released in many countries around the world, albums (LPs), singles, and 4-track EPs were also released in Europe, including US Capitol, each with their own unique editing process. The Beatles' albums, singles, and four-track EPs were also released in Europe and the U.S., and since the jacket designs varied from country to country, many of them are now popular as valuable collector's items. Of course, in Japan, original projects have also been released one after another, and basically, albums have been released on their own, including their debut album in Japan, \"The Beatles! However, in the case of singles, the albums were released one after another every month with A\u0026amp;B side Japan's original song couplings, boasting the largest number of singles releases in the world. In the meantime, the Japanese market was still in the midst of a booming growth phase. In Japan, a four-track EP was released in August 1964 as part of the \"Compact 7 Stereo Series,\" and from then until May 1967, a total of 12 EPs were released with their own song selections and jacket designs, In the UK, as with the singles, only monaural recordings were released, whereas in Japan, as the name of the series implies, stereo recordings were a key selling point. In Japan, however, stereo recordings became a selling point for the series, as the name of the series implies. The series was to be a stereo release, as some songs were not released in stereo in Japan. However, for songs for which stereo masters had not been sent from the U.K., \"pseudo-stereo\" recordings based on mono recordings were made and recorded, as in the U.S. Capitol series, especially for \"I Feel Fine,\" \"Let's Embrace Love,\" \"Payback,\" and \"I'll Be Your Love,\" which were recorded in stereo. I Feel Fine\", \"Let's Hug Your Love\", \"Payback Writer\", etc. were once talked about as mixes that could only be heard here, while \"I'm Down\" was recorded in the world's first real stereo mix, even though it was only released in mono as a single disc in the U.S. and U.K. It is a must have for collectors of stereo recordings from the past. It is a must-have for collectors of stereo recordings. While WAX MASTERS released the same item in the past, this time all the tracks are recorded on the latest remastering in 2023, with new digital conversion, noise removal, and balance adjustment to faithfully reproduce the original analog recordings. Disc 1 : [COMPACT 7 STEREO SERIES 1 August 1964] 01. TWIST AND SHOUT 02. PLEASE PLEASE ME 03. want to hold your hand* 04. she loves you* [compact 7 stereo series 2 january 1965] 05. a hard day's night 06. i should have known better 07. please mr. postman 08. and i love her [compact 7 stereo series 3 march 1965] 09. all my loving 10. if i fell 11. i'm just happy just to dance with you 12. tell me why [compact 7 stereo SERIES 4 May 1965] 13. long tall sally* 14. matchbox* 15. i feel fine* 16. slow down* [compact 7 stereo series 5 august 1965] 17. rock and roll music 18. eight days a week DAYS A WEEK 19. mr. moonlight 20. kansas city \/ hey! hey! hey! hey! hey! [compact 7 stereo series 6 december 1965] 21. help! 22. ticket to ride 23. i'm down 24. dizzy MISS LIZZY Disc 2 : [COMPACT 7 STEREO SERIES 7 January 1966] 01. you're going to lose that girl 02. the night before 03. act naturally 04. yesterday [compact 7 STEREO SERIES 8 March 1966] 05. ANNA (GO TO HIM) 06. BOYS 07. SIE LIEBT DICH* 08. YOU'VE GOT TO HIDE YOUR LOVE AWAY [compact 7 stereo series 9 may 1966] 09. MICHELLE 10. girl 11. nowhere man 12. what goes on [compact 7 stereo series 10 december 1966] 13. paperback writer* 14. norwegian wood 15. we can work it out* 16. 16. drive my car [compact 7 stereo series 11 december 1966] 17. yellow submarine 18. taxman 19. here, there and everywhere 20. and your bird can sing [. COMPACT 7 STEREO SERIES 12 May 1967] 21. BAD BOY 22. STRAWBERRY FIELDS FOREVER* 23. PENNY LANE* 24. GOOD DAY SUNSHINE * = Japanese Duophonic Mix (effective simulated stereo) \/ New Remasters Edition 2023\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46804456177968,"sku":"CDN-11605.html","price":86.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/Beatles-Japanese-1.jpg?v=1695645396"},{"product_id":"john-lennon-john-lennon-imagine-imagine-original-uk-1st-pressing-japan-export-edition","title":"John Lennon John Lennon\/Imagine Imagine Original UK 1st Pressing Japan Export Edition","description":"\u003cspan data-mce-fragment=\"1\"\u003eJohn's solo career-defining Imagine was released on CD in 1987, at about the same time in the US, Europe (including the UK), and Japan. 87 was the year that The Beatles' The year 87 was the year when the CD version of the Beatles' \"The Beatles' Songs\" was released. Some of you may remember that it was released at the same time as the Beatles' CD release. The first pressing of Imagine in the UK and Europe was made in Japan. The first pressing of Imagine in the UK and Europe was made in Japan, and this Japanese pressing even has a label printed on the disc that it was made at Toshiba EMI's Gotemba factory. Such a credit is extremely rare. The Beatles' albums also have Japanese pressings, but they can only be identified by the TO stamp at the end of the matrix, whereas this Imagine disc has an impressive credit. Immediately after its release, the pressing was changed to EMI's Uden plant. The album's characteristic warmy sound can be heard on this CD. Starting with \"Imagine\" and ending with \"Oh Yoko,\" this album is still a classic. George also participated on 5 songs. Of course, it is hard to find now. Taken from the original UK\/Europe CD (EMI CDP 7 46641 2) released in 19871. Imagine 2. Crippled Inside 3. Jealous Guy 4. So Hard 5. I Don't Want To Be A Soldier 6. Give Me Some Truth 7. Oh My Love 8. How Do You Sleep? ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46804556677424,"sku":"CDN-11603.html","price":84.09,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JohnLennon-Imagine-Japan-1.jpg?v=1695646216"},{"product_id":"karla-bonoff-livingston-taylor-karla-bonoff-livingston-taylor-tokyo-japan-9-1-2023-complete","title":"Karla Bonoff Livingston Taylor Karla Bonoff Livingston Taylor\/Tokyo,Japan 9.1.2023 Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe second show on September 1, the first day in Tokyo, from the 2023 Japan tour by Carla Bonoff \u0026amp; Livingston Taylor, a must for West Coast fans of yesteryear. The second show on the first day in Tokyo, September 1, 2023, was recorded in 78 minutes from the digital audience master released by the taper. The acoustic sound of the small venue is wonderfully realistic, and even the subtleties of the rustic ensemble are vividly reproduced. In addition to their individual solos, fans will also enjoy the two artists performing together on \"Carolina In My Mind,\" \"The Water Is Wide,\" \"Getting to Know You\" from \"The King and I,\" and the well-known \"Somewhere Over The Rainbow. Rainbow\" from \"The King and I\". Live at Tokyo, Japan 1st September 2023 (2nd Show) 1. Home (Karla) 3. City Lights (Liv) [Livingston Taylor] 4. I Belong 5. I Must Be Doing Something Right 6. I Will Be In Love With You 7. Going Around One More Time 8. Promised Land 9. Unknown 10. In My Reply [Karla \u0026amp; Liv] 11. Carolina In My Mind [Karla Bonoff] 12. Trouble Again 13. Goodbye My Friends 14. Restless Night 15. Someone To Lay Down Beside Me 16. All My Life [Karla \u0026amp; Liv] 17. Getting to Know You (from The King and I) 18. The Water Is Wide -encore- 19. Merry Old Land Of Oz \/ Somewhere Over The Rainbow\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46804603404592,"sku":"CDN-11602.html","price":84.09,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/KarlaBonoff-LivingstonTaylor-Japan-9.1.2023-1.jpg?v=1695646549"},{"product_id":"u2-u2-eternal-flight-tokyo-japan-1993-2days-complete","title":"U2 U2\/Eternal Flight Tokyo,Japan 1993 2Days Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eFinally, the definitive album is here! The complete first appearance of the sound source is unearthed! A gift from the future of Cyber City Tokio! The 1993 ZOO TV TOUR in Japan, where there was nothing decent to be found! The two days at Tokyo Dome, when it was still called \"Big Egg\", was recorded in high sound quality! The best position for both days was the front row on December 9 and the third row on December 10, which is unbelievable! The sound is completely different from the current Dome shows, so the key is to secure tickets in the front. These two days in Tokyo Dome were the last two days of the world tour, which must have been the greatest gift for the Japanese fans. The enthusiasm of that time will come back to life in 2023. There are many pros and cons to the two days, but I want you to hear them for yourself. I have heard and read in reviews in magazines and other publications that the sound was not so good on the first day and that the band was in great shape on the second day. We hope you will enjoy these two wonderful days at Cyber City Tokio. \u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46804688830768,"sku":"CDN-11599.html","price":95.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/U2-EternalFlight-Japan-1993-1.jpg?v=1695647145"},{"product_id":"jeff-beck-jeff-beck-tokyo-japan-4-4-2014-complete-iem-matrix-edition","title":"Jeff Beck Jeff Beck\/Tokyo,Japan 4.4.2014 Complete IEM Matrix Edition","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis is a high-quality complete recording of Daewon's superb audience master used for \"AN EVENING WITH JEFF BECK VOL.1\" (the first day of the tour on April 4, NHK Hall). The original SNE release, which was a matrix of this source and IEM recordings, was also of excellent sound quality, but we are confident that Beck fans will love Omoto's superb pure audience recording, which is natural, clear, and recorded with optimum sound balance. The clarity of the sound, as well as the grain and separation, are of the highest class, and the delicate sound is reproduced in a truly ideal sound. The fusion sound source with ear monitors is also excellent, but if you want to enjoy the show as a whole, there is nothing better than a pure high-quality audience recording. The high frequencies, especially in the cymbals, and the fat, yet sufficiently tight, low frequencies, are all there. As you can hear, the speakers are filled to the brim with the highest quality sound that you can be sure \"this should never be changed. There have already been several same-day recordings released, and fans are familiar with the first day of the Japan tour, but I must say that the master of this title is \"outstandingly exceptional\". This is a must-have and must-listen for fans of the band, and the sound quality is so high that it makes you wonder how in the world they were able to record such a good sound. This is a must-have recording for fans of the band, and I sincerely hope that Beck collectors who have already obtained the SNE version will enjoy the first day of the tour once again with this sound. (As proof of the use of the master source, the pre-opening and post-opening sections are recorded longer than on the original SNE release.) ) There are not many recordings that make you listen to the sound so entrancingly. I don't mean to be a yokel, but I still think his recording is the best among the current tapers. Live at NHK Hall, Tokyo, Japan 4th April 2014 TRULY PERFECT SOUND(from Original Masters) Disc 1 (49:55) 1. introduction 2. loaded 3. nine 4. little wing 5. you know you know 6. hammerhead 7. angel (footsteps) 8. stratus 9. yemin The Pump Disc 2 (43:39) 1. Goodbye Pork Pie Hat 2. Brush With The Blues 3. You Never Know 4. Danny Boy 5. Blue Wind 6. Christi Carol 8. Big Block 9. A Day In The Life 10. Rollin' And Tumblin' 11. Cause We've Ended As Lovers Jeff Beck - Guitar Rhonda Smith - Bass Jonathan Joseph - Guitar Drums Nicolas Meier - Guitar\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46825076392240,"sku":"CDN-11621.html","price":86.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JeffBeck-Japan-4.4.2014-1.jpg?v=1695730545"},{"product_id":"jeff-beck-jeff-beck-osaka-japan-2014-complete","title":"Jeff Beck Jeff Beck\/Osaka,Japan 2014 Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe final date of the two-week 2014 Japan tour, April 16 at Osaka Festival Hall, is now available in the best sound quality disc. This is the best sound quality recording of Jeff by the best taper in western Japan. The recording was made from the fourth row, in front of Jeff's microphone stand. The hall was reopened the previous year, and it is said that the sound comes down from the sky. The clear, crisp sound captures the atmosphere of the hall, and the direct and outstanding sound from the bass to the treble without excess or deficiency. The balance of each instrument was perfect, capturing not only Jeff's guitar, which plays the leading role, but also the metal sound of the drums, bass drum, and bass guitar. Because we were seated in the front, the sound was a mix of the live sound of each instrument and the sound coming out of the PA. The audience around me was excited between songs, but during the songs, I was listening to the performance, so I could enjoy the performance without being disturbed by annoying audience noise. Unfortunately, there were no surprises or special songs or developments that could only be found on the last day, but Beck seemed to be somewhat relaxed and in a good mood on this final day. However, Beck seemed to be relaxed and in a good mood on the last day of the tour, and his playing was so sharp that the strings broke on Big Block. (I mentioned that there were no surprises, but Beck's MC after \"Cause We've Ended As Lovers\" was a surprise, as he expressed his gratitude for this Japan tour.) ) It was a pity that the standard songs such as \"Blue Wind\" and \"The Pump\" were not performed from the end of the tour, but \"Egyptian,\" which is scheduled to be included in the album, was included in the set, and as a result, many songs from the upcoming new album were performed. The best part of the concert was that we could taste the contents and direction of the album before its release. Drummer Jonathan Shosev has played with Pat Metheny, Mike Stern, Bill Evans, David Sanborn, and many other jazz fusion greats in the past, and his technical playing with many hands and many feet attracted the audience as well as Beck's playing. His technical playing with many hands and many feet attracts the audience as well as Beck's playing. The tour in Japan was difficult to predict because of the blank time since the joint performance with Brian Wilson and the decision of Lizzie Ball, violinist and vocalist, not to join the tour just before her arrival in Japan. The tour was an ideal first tour, as the quality of the performances was excellent at each stop and continued to improve as the tour went on. Live at Festival Hall, Osaka, Japan 16th April 2014 TRULY PERFECT SOUND (from Original Masters) Disc 1 (48:07) 1. introduction 2. loaded 3. nine 4. little wing 5. you know you know 6. hammerhead 7. angel (footsteps) 8. stratus 9. yemin 10. where were you Egyptian Disc 2 (51:18) 1. Goodbye Pork Pie Hat 2. Brush With The Blues 3. You Never Know 4. Danny Boy 5. Why Give It Away 6. A Day In The Life 10. Band Introductions 11. Rollin' And Tumblin' 12. Cause We've Ended As Lovers Jeff Beck - Guitar Rhonda Smith - Bass Jonathan Joseph - Drums Nicolas Meier - Guitar Drums Nicolas Meier - Guitar\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46825143664944,"sku":"CDN-11620.html","price":86.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JeffBeck-Japan-2014-1.jpg?v=1695730749"},{"product_id":"bad-company-bad-company-aichi-japan-2010-complete","title":"Bad Company Bad Company\/Aichi,Japan 2010 Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eBAD COMPANY made its first visit to Japan in 35 years in 2010, and now an original recording has been unearthed that allows you to experience this miracle at its finest. The recording includes a performance at Zepp Nagoya on October 20, 2010. This is a superb audience recording that includes even their son, Steve Rogers, who played in front of the band. There are only 8 live performances in Japan in the history of the band. This is a good opportunity to look back the entire history of BAD COMPANY's visit to Japan by comparing it with our collection. 1975*March 3 \"BUDOKAN 1975\" 2010\/October 18: Zepp Fukuoka*October 20: Zepp Nagoya ←★This work★\/October 21: Namba hatch\/October 23: Namba hatch\/October 23: Zepp Nagoya Namba hatch・October 23: Hitomi Memorial Auditorium＊October 25: \"COMPLETE FORUM NIGHTS 2010 (Tokyo)※October 26: \"MR. MIDNIGHT (Tokyo)※Only representative works on each day. These are the 8 shows in total. The first visit to Japan in 1975 was only one night and can be enjoyed on the famous disc \"BUDOKAN 1975\". After that, Paul Rodgers came to Japan as a solo artist and as Queen, and finally came back for the second time 35 years later as BAD COMPANY. Thirteen years have passed since then, and it remains his last visit to Japan. This is a superb audience recording of this historic Japan tour. This is the original recording given to us by the recording artist himself, and it is intensely on and direct. It is an original recording given to us by the recording artist himself, and it is intensely on and direct. It is definitely an audience recording since it also sucks in the live cheers, but the zero-distance closeness, vivid and fine details, and superb separation (......) are all soundboard quality. (The Japan show was a single guitar performance without Mick Ralphs, so you can't get the same stereo feel of the twin, but that's about the extent of the difference.) What further enhances the soundboard feel is the strangely quiet surrounding cheers. Between songs, the audience cheered enthusiastically, but during the performance there was only a modest amount of hand-clapping. Of course, the live performance itself was exciting and the audience sang along to the choruses of the representative songs, but it seemed as if it was far away from the performance. It is an ideal live album that is vivid and realistic, yet the listening experience is like that of an official album. The best album of the 2010 show is the Matrix album \"MR. MIDNIGHT\" from the last day of the show, but in fact, this album has a different set and is a more intimate version of the official \"Live at Wembley\" album. Let's sort out the set, comparing it with the official work \"LIVE AT WEMBLEY\" as well. This film: BAD COMPANY: Can't Get Enough \/ Seagull \/ Movin' On \/ Bad Company \/ Ready For Love \/ Run With The Pack: Honey Child \/ Run With The Pack \/ Young Blood ( Dissolution Angel: Oh, Atlanta (★)\/Gone, Gone, Gone\/Rock 'n' Roll Fantasy\/Others: Burnin' Sky\/Mister Midnight (★)\/Electricland\/Feel Like Makin' Love\/Shooting Star Love\/Shooting Star *Note: Songs marked with \"★\" are songs that were not heard on the official Live at Wembley album. Note: Songs marked with \"*\" are songs that were not heard on the classic album \"MR. Front row: Steve Rogers, Solo album: The River\/Sunshine, Others: Freedom\/Answers\/Unknown\/Fly Bird\/Walk On ...... and so on. While \"BAD COMPANY,\" \"RUN WITH THE PACK,\" and \"DESOLATION ANGELS\" will be the core, the Greatest Hits will unfold with a full selection from all the albums of the Paul era. The unfamiliar song title \"Mister Midnight\" is a new song that was much talked about at the time, and although it remains unreleased 13 years later, the audience can enjoy this rare song in official quality. The stage of Paul's son Steve, who opened the show on that day, is included as a bonus track at the end of DISC 2. He played 7 songs including 2 songs from his solo album \"STEVE RODGERS\" released in 2009. He sings with a lustrous and nourishing voice much like his father's. As of 2023, Paul is trying to resume his solo career with \"MIDNIGHT ROSE,\" but there is no sign of BAD COMPANY's revival. As of 2023, Paul is attempting to resume his solo career with \"Midnight Rose\", but there is no sign of a COMPANY resurgence, and a third time is unlikely. This is a superb audience recording of the band's return to Japan on October 20, 2010 at Zepp Nagoya, the first time in 35 years, and one that has gained more weight as time goes by. The original recording was given to us by the recording artist himself, and it is intensely on and direct. The zero-distance closeness, the vivid and detailed details, and the superb separation (......) are all soundboard quality, and it is as good as the official live recording \"LIVE AT WEMBLEY\". Zepp Nagoya, Nagoya, Japan 20th October 2010 ULTIMATE SOUND(from Original Masters) First appearance and super high quality sound! AUD Master Disc:1 (49:11) 1. Intro 2. Seagull 10. Gone, Gone, Gone 11. Mister Midnight 12. Electricland Disc:2 (62:12) 1. Feel Like Makin' Love 2. Shooting Star 3. Rock 'n' Roll Fantasy 4. On 5. Bad Company 6. Ready for Love Paul Rodgers - Vocals, Piano, Guitar, Harmonica Simon Kirke - Drums Howard Leese - Guitar Lynn Sorensen - Bass STEVE RODGERS 7. intro 8. freedom 9. answers 10. unknown 11. fly bird 12. walk on 13. the river 14. sunshine\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46840542495024,"sku":"CDN-11535.html","price":86.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/BadCompany-Japan-2010-1.jpg?v=1695818952"},{"product_id":"elvis-costello-the-rude-5-elvis-costello-kyoto-japan-1991-complete","title":"Elvis Costello \u0026 the Rude 5 Elvis Costello\/Kyoto,Japan 1991 Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eTwo complete recordings of Elvis Costello's August 28th performance at Kyoto Kaikan from his 1991 Japan tour with The Rude 5, recorded from superb quality audience recording masters. This is a 2-disc set of complete recordings from the superb quality audience-recorded masters! The setlist of this show includes \"Veronica\", \"That Day Is Dan\", \"So Like Candy\", and many other songs co-written with Paul McCartney. Live at Kyoto-Kaikan Hall, Kyoto, Japan August 28th 1991 DISC ONE 01. Tokyo Storm Warning\/02. Accidents Will Happen\/03. Watch Your Step\/04. Deep Dark Truthful Mirror\/05. Suit Of Lights\/06. So Like Candy \/ I Want You\/07. Temptation\/08. Watching The Detectives \/ Let Him Dangle\/09. Couldn't Call It Unexpected No. 4\/10.Almost Blue DISC TWO 01. That Day Is Done\/02. Veronica\/04. Hidden Charms\/05. Bama Lama Bama Loo\/06. Hurry Down Doomsday (The Bugs Are Taking Over)\/07. God's Comic\/08. I Hope You're Happy Now\/09. Oliver's Army\/10. (What's So Funny 'Bout) Peace, Love And Understanding?\/11. Alison\/12. Pump It Up\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46847533220144,"sku":"CDN-11643.html","price":86.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/ElvisCostello-theRude5-Japan-1991-1.jpg?v=1695900014"},{"product_id":"david-bowie-david-bowie-japan-various-japan-1978-5days-50th-anniversary-collectors-edition","title":"David Bowie David Bowie\/Japan Various,Japan 1978 5Days 50th Anniversary Collector's Edition","description":"\u003cspan data-mce-fragment=\"1\"\u003eA special 50th anniversary edition of the legendary \"Ziggy Japan Tour,\" an archive collection of Bowie's first visit to Japan in 1973, all of which have been restored with the latest mastering in 2023 based on remaining live recordings. This is a complete collection of the live archives of Bowie's legendary first visit to Japan in 1973, including the four Tokyo shows from the first day at Shinjuku Kosei-Nenkin Kaikan to the final show at Shibuya Kokaido, as well as the four shows in Nagoya, Hiroshima, Kobe and Osaka, all based on the best quality masters that still exist, and remastered using the latest equipment in 2023. The four Tokyo concerts up to the final performance at Shibuya Kokaido were compiled here after remastering using the latest equipment in 2023. Disc 1 is a rare recording of the April 12 show at Nagoya City Public Hall, where Bowie himself was so enthusiastic that he dived into the audience during \"Suffragette City\". Disc:2 is the April 14 performance at the Hiroshima Postal Savings Hall, where the audience was even more enthusiastic than at the Nagoya show. Disc:3 is the April 16 performance at the Kobe International Conference Hall, where the second half of \"Five Years\" was recorded, but \"Round and Round\" was performed for the first time as an encore. The second half of the disc was recorded on the following day, April 17 at Osaka International Hall. The second half of the disc is the Osaka Kosei-Nenkin Kaikan concert on April 17, also incomplete, especially the first half of \"John I'm Only Dancing,\" but the sound quality is poor, and the second half of \"Gene Genie\" and after are replaced by recordings from other sources that are easier to hear. The last disc, Disc :4, contains an alternate recording of the April 8 Tokyo opening night performance, which was previously recorded as an analog boot. Although the original recording is incomplete, starting with a fade-in and ending with a fade-out, it is a different source from the complete recording on Disc 1\u0026amp;2, and the original source is of such excellent quality that it was initially mistaken for a soundboard overseas, and has been remastered with pitch correction and noise reduction. The original source was so good that it was initially mistaken for a soundboard overseas, and the new version has been remastered with pitch correction and noise elimination. This is a must-have item for fans of the legendary first Japan tour, as no other item has ever compiled the legendary first Japan tour in such high quality. Disc 1 : 1. Opening \/ Ode To Joy 2. Hang On To Yourself 3. Ziggy Stardust 4. Changes 5. Moonage Daydream 6. John, I'm Only Dancing 7. Watch That Man 8. A Circle 9. Space Oddity 10. The Jean Genie 11. Time 12. Five Years 13. Let's Spend The Night Together 14. Suffragette City 15. Rock 'n' Roll Suicide 16. Of Hope And Glory \/ Ending [at Nagoya Civic Assembly Hall, Nagoya, Japan April 12th 1973] Disc 2 : 1. Opening \/ Ode To Joy 2. Hang On To Yourself 3. Stardust 4. Changes 5. Moonage Daydream 6. John, I'm Only Dancing 7. Watch That Man 8. Width Of A Circle 9. Space Oddity 10. Let's Spend The Night Together 14. Starman 15. Suffragette City 16. Rock 'n' Roll Suicide [at Yubin-Chokin Hall, Hiroshima, Japan April 14th Disc 3 : 1. Five Years 2. Let's Spend The Night Together 3. Starman 4. Opening \/ Ode To Joy 8. Hang On To Yourself 9. Ziggy Stardust 10. Changes 11. Only Dancing 13. The Jean Genie 14. Time 15. Five Years 16. Let's Spend The Night Together 17. Suffragette City 18. Rock'n'Roll Suicide 19. Glory \/ Ending [at Koseinenkin Kaikan Hall, Osaka, Japan April 17th 1973] Disc 4 : 1. Hang On To Yourself (fade-in) 2. Daydream 5. Panic In Detroit 6. Aladdin Sane 7. Space Oddity 8. The Jean Genie 9. Time 10. Rock 'n' Roll Suicide (fade-in) [ALTERNATE RECORDINGS : at Shinjuku Koseinenkin Hall, Tokyo, Japan April 8th 1973]\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46848290554160,"sku":"CDN-11505.html","price":95.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/DavidBowie-Japan-1978-50thAnniversaryCollector_s-1.jpg?v=1695904013"},{"product_id":"david-bowie-david-bowie-tokyo-tokyo-japan-1978-4days-50th-anniversary-collectors-edition","title":"David Bowie David Bowie\/Tokyo Tokyo,Japan 1978 4Days 50th Anniversary Collector's Edition","description":"\u003cspan data-mce-fragment=\"1\"\u003eA special 50th anniversary edition of the legendary \"Ziggy Japan Tour,\" an archive collection of Bowie's first visit to Japan in 1973, all of which have been restored with the latest mastering in 2023 based on remaining live recordings. This is a complete collection of the live archives of Bowie's legendary first visit to Japan in 1973, including the four Tokyo shows from the first day at Shinjuku Kosei-Nenkin Kaikan to the final show at Shibuya Kokaido, as well as the four shows in Nagoya, Hiroshima, Kobe and Osaka, all based on the best quality masters that still exist, and remastered using the latest equipment in 2023. The four Tokyo concerts up to the final performance at Shibuya Kokaido Hall in Tokyo, as well as Nagoya, Hiroshima, Kobe, and Osaka, were remastered using the latest equipment and compiled here. Disc 1\u0026amp;2 is the complete recording of the memorable Tokyo show on April 8, featuring \"Panic in Detroit\" and \"Aladdin Sane,\" which cannot be heard on the other shows, and in the second half, the April 10 show, which was not recorded as an encore but the set was changed to include \"John I'm Only Dancing\" and \"Watch That Man\" were performed for the first time in high quality. Disc 3 is the third performance on April 11, and includes the encore \"Rock 'n' Roll Suicide,\" which was not recorded the day before. Disc:4 is the final performance at Shibuya Kokaido on April 20, the last show of the tour after the regional dates, and includes a perfect shot of the encore \"Round and Round\" sung almost completely nude, taking off their costumes amidst a riot caused by overzealous fans to which the police were dispatched in response. The above is the legendary first Japan tour. Disc 1 : 1. Opening \/ Ode To Joy 2. Panic In Detroit 7. Aladdin Sane 8. The Width Of A Circle 9. Time 12. Five Years 13. Let's Spend The Night Together 14. Starman 15. Suffragette City Disc 2 : 1. Rock 'n' Roll Suicide 2. Shinjuku Koseinenkin Hall, Tokyo, Japan April 8th 1973] 3. Opening \/ Ode To Joy 4. Hang On To Yourself 5. Ziggy Stardust 6. Changes 7. John, I'm Only Dancing 9. Watch That Man 10. Width Of A Circle 11. Space Oddity 12. Suffragette City [at Shinjuku Koseinenkin Hall, Tokyo, Japan April 10th 1973] Disc 3 : 1. Opening \/ Ode To Joy 2. Hang On To Yourself 3. Changes 5. Moonage Daydream 6. John, I'm Only Dancing 7. Watch That Man 8. The Width Of A Circle 9. Five Years 13. The Jean Genie 14. Suffragette City 15. Rock 'n' Roll Suicide 16. Pomp And Circumstance [at Shinjuku Koseinenkin Hall, Tokyo, Japan April 11 th 1973 Disc 4 : 1. Opening \/ Ode To Joy 2. Hang On To Yourself 3. Ziggy Stardust 4. Changes 5. Moonage Daydream 6. John, I'm Only Dancing 7. Time 10. Five Years 11. Let's Spend The Night Together 12. Starman 13. Suffragette City 14. Rock 'n' Roll Suicide 15. Shibuya Public Hall, Tokyo, Japan April 20th 1973]\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46848353075504,"sku":"CDN-11504.html","price":95.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/DavidBowie-Japan-1978-50thAnniversaryCollector_s-1-1.jpg?v=1695904270"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-24-2023-complete-dat-master","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.24.2023 Complete DAT Master","description":"\u003cspan data-mce-fragment=\"1\"\u003eHigh-quality new DAT master of the last day of Eric Clapton's 2023 Japan tour! In April, Eric Clapton successfully completed his 23rd show in Japan after four years of absence. The release of the high quality original stereo audio master for all the shows has been satisfactory, but now a new high quality DAT master of the last show on April 24th has appeared, which is also of high sound quality, so we have decided to release it here for your pleasure. The recording was made in the arena position. The recording was made from the excellent position of Arena A-5 Block 69. The recordist is Eric Clapton \u0026amp; Jeff Beck's \"Live Together\", a famous DAT taper who is obsessed with DAT. The sound quality is clear, with no need for any equalization in our store, and the bass frequencies are subdued and the singing and guitar can be heard very well. Speaking of the last day, it was also the day of the impressive greeting from Clapton. Please take this opportunity to look back on that performance with the newly released high-quality DAT master. It was truly the final performance! Here is Clapton's soulful and wonderful performance! The most important topic of the last day was Clapton's comments. On this day, after the acoustic set had been set up, Clapton sat down in his chair and gave a lengthy speech. The gist of it was as follows. I want to thank you. \"Again and again,\" he said. I want to thank you from the bottom of my heart for your support, your help, and your feelings toward me over the years. I love the Budokan, I love this place in the world, and I love the people who come here. But this will probably be the last time. (A murmur and a voice from the audience) No, I don't think so, I don't think so. ... I'm sure we'll keep doing it. (The audience applauded.)\" In other words, a part of Clapton's mind wondered if this would be his final farewell to Japan and his Japanese fans. If he had wanted to come back, he would not have bothered to say goodbye. He indicated that this could be the last time he would visit Japan, and although he immediately denied it, neither he nor we know what will happen in the future. However, it is clear that Clapton had something in mind, and he did his best on this day. The result is captured in this film. Although the previous day was a day off, the performance on this day was very fulfilling, and it seemed as if every song was filled with Clapton's gratitude to the Japanese audience. It was a wonderful and tremendous performance that can only be described as \"soulful. The best performance of the Japan tour this time was on the second day, but I think it is fair to say that this final performance was also the best. There is no doubt that Clapton's spirit was at its maximum on this day. Please listen to the opening song, \"Blue Rainbow. On this day, Clapton ad-libbed almost the entire song, even changing the theme phrase by ad-libbing. Moreover, there was not a single mis-tone in the entire performance. In just the sixth performance, Clapton evolved this song by himself. It is amazing. The next song, \"Pretending,\" was also played aggressively. The earnest stage performance continued. Then came I Shot The Sheriff, with strong vocals! And then the solo in the postlude. This flowing smoothness and phrase structure are also wonderful. There is a regrettable mistone in the middle of the song, but the comeback from that is also amazing. The slow hand technique of winding up and folding up is brilliant. The energy gushes toward the end of the song. Yes, Clapton in his prime is back! The audience is astonished. Please listen to it. The acoustic set was just as strong as ever. For some reason, Kerry was cut from the set that day, but he returned to the electric set and played a solo that gave the impression that he was slacking off, but on this day, he \"attacked\". The solo was smooth and crisp! Exquisite phrase structure. This quality of playing does not drop from then on, and is maintained until Cocaine, which is also a great solo with a singing heart. Cocaine is also a wonderful solo with a great singing spirit. Eric Clapton was truly a legend who had reached the end of his career. Please enjoy the last (and possibly the last) Japan concert with the excellent sound quality of this album. The great taper of \"Live Together\" and the DAT-oriented recording artist. This is an excellent recording. Live at Budokan, Tokyo, Japan 24th April 2023 TRULY PERFECT SOUND(from Original Masters) Disc:1 (57:01) 1. Intro. 2. Pretending 4. Key To The Highway 5. Hoochie Coochie Man 6. I Shot The Sheriff 7. MC 8. Kind Hearted Woman 9. Nobody Knows You When You're Down And Out 10. Call Me The Breeze 11. Sam Hall 12. Tears In Heaven Disc:2 (49:53) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Went Eric Clapton - guitar, vocals Doyle Bramhall II - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46877492937008,"sku":"CDN-11314.html","price":86.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.24.2023-1.jpg?v=1696250613"},{"product_id":"boz-scaggs-boz-scaggs-tokyo-japan-2019-3-days-complete-iem-matrix-ver-sc","title":"Boz Scaggs Boz Scaggs\/Tokyo,Japan 2019 3 Days Complete IEM Matrix Ver. \u0026 SC","description":"\u003cspan data-mce-fragment=\"1\"\u003eFrom the first Japan tour in four years by the king of AOR, Boz Scaggs, all three Tokyo dates, the highlights of the tour, are fully recorded in official-grade superb sound. The well-known multi-stereo IEM matrix sound source. You can relive three days of amazing performances filled with the hits of yesteryear in perfect sound that rivals stereo soundboard recordings. Bonus tracks include a sound check before the show. The bonus tracks include a rehearsal of \"Last Tango\" and a rare cover of Otis Redding's \"You Don't Miss Your Water\" that were not performed at the show. ◆Contains = 5\/7\/2019 + 5\/8\/2019 + 5\/9\/2019 Tokyo concert (Orchard Hall) ◆Sound Source = Multiple Stereo IEM Matrix Recording 1st Night : Recorded Live at Orchard Hall, Tokyo, Japan 7th May 2019 [ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording] (Disc 1) 01. Opening 02. Jojo 03. It's Over 04. Rock and Stick 05. The Feeling Is Gone 06. I've Just Got Radiator 110 08. Harbor Lights 09. Georgia 10. Breakdown Dead Ahead 11. Look What You've Done to Me 12. Lowdown 13. Lido Shuffle (Disc 2) Encore: 01. 01. What Can I Say 02. Somebody Loan Me a Dime 03. Band Introduction 04. We're All Alone 05. You Never Can Tell 06. Thanks to You Bonus Tracks; Soundcheck at Orchard Hall, Tokyo, Japan 7th May 2019 07. Georgia 08. I've Just Got to Know 09. Mixed Up Shook Up Girl 2nd Night : Recorded Live at Orchard Hall, Tokyo, Japan 8th May 2019 [ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording] (Disc 1) 01. Opening 02. Jojo 03. It's Over 04. Rock and Stick 05. The Feeling Is Gone 06. I've Just Got to Know 07. Radiator 110 08. Harbor Lights 09. Georgia 10. What Can I Say 11. Look What You've Done to Me 12. Lowdown 13. Lido Shuffle ( Disc 2) Encore: 01. Breakdown Dead Ahead 02. Somebody Loan Me a Dime 03. Band Introduction 04. We're All Alone 05. You Never Can Tell 06. Thanks to You Bonus Tracks; Soundcheck at Orchard Hall, Tokyo, Japan 7th May 2019 07. Look What You've Done to Me 08. Last Tango on 16th Street 09. Harbor Lights 3rd Night : Recorded Live at Orchard Hall, Tokyo, Japan 9th May 2019 [ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording] (Disc 1) 01. Opening 02. Jojo 03. It's Over 04. Rock and Stick 05. The Feeling Is Gone 06. I've Just Got to Know 07. Radiator 110 08. Harbor Lights 09. Georgia 10. What Can I Say 11. Look What You've Done to Me 12. Lido Shuffle (Disc 2) Encore: 01. Breakdown Dead Ahead 02. Somebody Loan Me a Dime 03. Band Introduction 04. We're All Alone 05. You Never Can Tell 06. Thanks to You 07. Sick And Tired Bonus Tracks; Soundcheck at Orchard Hall, Tokyo, Japan 7th May 2019 08. Breakdown Dead Ahead 09. Jojo 10. You Don't Miss Your Water\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46890247061808,"sku":"CDN-01404.html","price":104.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/BozScaggs-Japan-2019-1.jpg?v=1696421241"},{"product_id":"jeff-beck-stanley-clarke-jeff-beck-stanley-clarke-tokyo-japan-11-30-1978","title":"Jeff Beck,Stanley Clarke Jeff Beck,Stanley Clarke\/Tokyo,Japan 11.30.1978","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis album contains the \"November 30, 1978: Nippon Budokan\" show. This week, the newly discovered \"BUDOKAN 1978 2ND NIGHT\" from the same 1978 Japan tour will also appear, so let's check the show's position in the schedule of the time here as well. November 20: Ibaraki Prefecture Citizens Cultural Center, November 22: Ishikawa Kosei-Nenkin Kaikan, November 23: Kurashiki Civic Hall, November 24: Osaka Prefectural Gymnasium, November 26: \"DEFINITIVE NAGOYA 1978,\" November 28: \"CAT MOVES (Fukuoka),\" November 29: \"OSAKA 1978 2ND NIGHT\", November 30: Nippon Budokan [this work] - December 1: Nippon Budokan \"BUDOKAN 1978 2ND NIGHT\", December 2: Nippon Budokan \"IN SEARCH OF A SUN\" *Only representative works on each day. Total of 10 performances. Jeff's first solo visit to Japan in 1975 was a bit turbulent due to his poor health, but three years later in 1978, the mood was renewed. Accompanied by Stanley Clarke, the scale of the tour expanded dramatically. The Japan tour showed off the band's true potential. The highlight of the tour was the 3-DAYS at Nippon Budokan at the end of the tour, and this is the first day of the tour. It was the first time in five years since the legendary BBA's first visit to Japan that they stepped on stage at the Nippon Budokan. This is an audience recording of such a show by the same person who recorded \"BUDOKAN 1978 2nd Night\" released at the same time, and it is also a superb recording. In fact, the core that flows out of this album is so thick that Jeff's guitar almost seems distant, even in the little phrases where he scratches the strings, and it comes right at you. The snare tone also bears the hallmarks of an audience recording, and if you listen carefully with headphones, you can hear a slight hall rumbling. It is definitely an audience recording, but even that ringing is not clouded or muddy, giving it luster and color without hiding any detail. And not to be outdone by the close contact guitar is Stanley's bass. The attack sound is also sharp, and the swells that create a rich groove are beautifully drawn. The power of the bass is so strong that it is almost as if you are listening to a radio broadcast (at that time). It is so close and so powerful that it becomes over-inputting in places. The \"Freeway Jam\" in the beginning, \"Scatterbrain\" in the second half, and the drum solo ....... Don't get me wrong, this is not (by any means) a bombastic or roaring recording. It is just that the sound is chattering and distorted in the very few moments when the PA spits out full volume. Of course, the sound has been made easy to listen to through precise mastering, but because the miraculous \"BUDOKAN 1978 2ND NIGHT\" was unearthed at the same time, it was just one step short of the original. However, it is definitely one of the most representative recordings of the day, and the show is also excellent. And the show is also wonderful. As I mentioned in the commentary of \"BUDOKAN 1978 2ND NIGHT,\" the Japan tour in 1978 was getting better and better. Perhaps because of his passion for the first Nippon Budokan since BBA, Jeff played more carefully than at the regional shows, and his phrasing was exquisite with a slow and steady pace. The ending of \"Superstition\" was still not perfect, but that was only a detail. You can feel the final touches being put into the ensemble as they work toward perfection. In 1978, the solo guitarist showed his true colors during a visit to Japan with Stanley Clarke. BUDOKAN 1978 2ND NIGHT\", which permanently preserves that night of perfection, is a must-hear, but this album is the eve of that event. This is a newly discovered sister work that allows us to enjoy the two consecutive performances that were performed by the same recording artist at the top of their game. Live at Budokan, Tokyo, Japan 30th November 1978 TRULY AMAZING SOUND(from Original Masters) Disc 1 (46:49) 1. Intro 2. Star Cycle 4. Freeway Jam 5. Cat Moves 6. Goodbye Pork Pie Hat 7. Stanley Clarke Solo\/School Days 8. Journey To Love 9. Lopsy Lu Disc 2 (39:40) 1. Scatterbrain 3. Drum Solo\/Scatterbrain(reprise) 4. Rock 'n' Roll Jelly 5. 'Cause We've Ended As Lovers 6. Blue Wind 7. Stanley Clarke - Bass Tony Hymas - Keyboards Simon Phillips - Drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46890464117040,"sku":"CDN-01359.html","price":86.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JeffBeck-StanleyClarke-Japan-11.30.1978-1.jpg?v=1696423084"},{"product_id":"jeff-beck-jeff-beck-osaka-japan-12-5-1980-upgrade","title":"Jeff Beck Jeff Beck\/Osaka,Japan 12.5.1980 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eJeff Beck made his fourth visit to Japan in 1980 with the classic album \"There and Back\". This is an upgrade of the superb recording that is considered to be his masterpiece. The masterpiece was recorded at the Osaka Prefectural Gymnasium on December 5, 1980. This is a superb audience recording of the entire show. This is the same recording known for \"THE MOVING FINGER,\" a masterpiece among masterpieces that dominated the world with its amazing sound quality. 1980 was the year when Jeff's Japanese spirit was at its peak. We have been archiving the scene with a number of masterpieces. First, let us look back on those days and organize our collection. December 4 \"TOKYO 1980 1st NIGHT\/CYCLONE (Nippon Budokan)\", December 5: Osaka Prefectural Gymnasium [this work], December 8: Kyuden Memorial Gymnasium, December 9: Kurashiki Memorial Hall, December 10 \"Here, There and Back (Osaka)\", December 11: Nagoya City Public Hall December 12: Miyagi Prefectural Hall ・December 14: Doritsu Sangyo Kyoshin Kaikan ・December 16: \"THE DEFINITIVE FINAL PEACE\/CYCLONE (Yokohama)\", December 17: \"MIRACLE FINGER\/CYCLONE (Nippon Budokan)\", December 18: \"CYCLONE ( (Nippon Budokan)\" *Note: Only representative works on each day. Total of 11 performances. From Sapporo in the north to Fukuoka in the south, the festival traversed the archipelago at famous venues representing each region. Although Jeff still boasts strong popularity even today, the number of performances at this time is the largest in his career, and this alone is a schedule that reveals his peak performance. The Osaka show was the second show in the first half of the tour. THE MOVING FINGER\", which recorded such a show, is truly a superb work. The sound quality is superb. Although the sound of the snare sounded audience-like, the core of the sound was glossy and robust, with an overwhelming sense of responsiveness, as if you could almost touch the sound. Moreover, the detail is ultra-sensitive. The contours are not just clear, but the edges are sharp and extremely sharp. Even light cutting, arcing arming, and fine vibrato are transmitted at the level of waveform vibration. Moreover, it can be felt all over the guitar strings, bass strings, and drum skins, and they dance wildly without mixing together and remaining nicely separated. It is absolutely soundboard-like in its vividness, but it is not exactly the same as the PA output sound. The faint hall rumblings, which you can only notice if you listen carefully with headphones, are also absorbed, but they are not clouded or muddy in any way. Rather, it gives the sound a metallic sheen and creates a smooth sharpness to the sharp edges. It is a brilliant sound like a Japanese sword made by a master craftsman. It is no wonder, then, that this recording was made by one of Japan's most legendary recording artists, who in the 70s and 80s was responsible for some of the best recordings of the Stones, Mick Jagger, Eric Clapton, David Bowie, Pink Floyd, and many other famous Japanese musicians visiting Japan, and who also set the Japanese audience standard. It is no exaggeration to say that he has set the audience standard in Japan. THE MOVING FINGER\" is one of the best recordings in the legendary collection. And this is the story of THE MOVING FINGER. This work was digitized again from the original master of such legendary recording and updated to the highest peak. The previous digitization was about 10 years ago, and the latest equipment has been used to bring out the full potential of the miracle master. The sound is the ultimate. It is not as if it were a completely different product, since the sound quality was already super high (changing it would ruin the miracle), but the detail has definitely been improved. Not only are the mids and highs more vibrant, but the bass, which was not picked up in the original release, is fuller. The bottom range, which had been somewhat narrow, is now much wider, and the response sounds richer and more dynamic without losing its sharp clarity. The beauty of the sound has been simply enhanced, and the sense of presence has been greatly improved along with it. The sound of the previous album was said to be \"the world's best sound of the 'there and back' era,\" but it is now \"even better\" and a reality. The show with such a high peak updated sound is also wonderful. The masterpiece \"TOKYO 1980 1st NIGHT\" from the first night was also a great success, but the show in Osaka was definitely better. Jeff played all over the place, not without making mistakes, but he was really upfront. The second half of the show was more and more heated. The middle part of \"Blue Wind\" was interrupted by a phrase from \"She's A Woman,\" and \"You Never Know\" was much longer than the first day in Tokyo. The last song \"Going Down\" was also quite lively, and you could see Jeff's expression of good mood from every part of the performance. The members surrounding Jeff also performed enthusiastically. Simon Phillips' powerful drumming on \"Space Boogie\" and his interplay with Mo Foster on \"Freeway Jam\" were superb. Tony Hymas also delivers a wonderful solo on \"Diamond Dust. The greatest point of this album is the miraculous and superb sound, but the performance itself is also one of the best in the 1980 Japan tour. The performance itself is also one of the best in the 1980 Japan tour, especially the first half of the album. This is a superb recording that has been called \"the greatest treasure of Japan tour recordings\" and \"the world's best recording of 1980. This is a miraculous masterpiece that recreates all of the sound that was absorbed into the master cassette using the latest technology. The magnificence of this recording goes beyond soundboard or audience, official or unofficial. If you want to listen to Jeff Beck from the \"There and Back\" era, this is the first thing you should do. This is a masterpiece of a live album that should be called a cultural heritage of guitar history. (Remastering note) The sound quality is so high that there is no way to adjust the mid-high range, so I changed the bass balance to widen the bottom range. Although the adjustment is difficult to understand, if you compare it with El Becko around 2:30, you can see that the sense of presence has been greatly improved. Live at Osaka Prefectural Gymnasium, Osaka, Japan 5th December 1980 ULTIMATE SOUND(from Original Masters) Disc 1 (39:40) 1. Intro. 2. Becko 4. Too Much To Lose 5. The Pump 6. Cause We've Ended As Lovers 7. Space Boogie 8. Led Boots Disc 2 (57:10) 1. Drum Solo\/Scatterbrain(reprise) 5. Blue Wind 6. Goodbye Pork Pie Hat 7. You Never Know 8. Going Down Jeff Beck - Guitar Tony Hymas - Keyboards Mo Foster - Bass Simon Phillips - Drums Bass Simon Phillips - Drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46890477945136,"sku":"CDN-01358.html","price":86.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JeffBeck-Japan-12.5.1980-1.jpg?v=1696423227"},{"product_id":"jeff-beck-jeff-beck-tokyo-japan-12-1-1978","title":"Jeff Beck Jeff Beck\/Tokyo,Japan 12.1.1978","description":"\u003cspan data-mce-fragment=\"1\"\u003eJeff Beck visited Japan in 1978 with the masterful Stanley Clarke. The world premiere audience master of this shocking event has been newly unearthed. The master was recorded at Nippon Budokan on December 1, 1978, and is one of the most popular recordings of Jeff Beck's visit to Japan in 1978. First of all, let's sort out the collection by the dates of that time and check the position of the show. November 20: Ibaraki Prefectural Cultural Center, November 22: Ishikawa Kosei-Nenkin Kaikan, November 23: Kurashiki Civic Hall, November 24: Osaka Prefectural Gymnasium, November 26: \"DEFINITIVE NAGOYA 1978\", November 28: \"CAT MOVES (Fukuoka)\", November 29: \"OSAKA 1978 2ND NIGHT\", November 30: Nippon Budokan \"BUDOKAN 1978 DAY 1\", December 1: Nippon Budokan [this work], December 2: Nippon Budokan \"OUT OF DARKNESS\" *Only representative works for each day. These are the total of 10 performances. This album is the live album of the middle day. This album is the live album of the middle day of the tour, and this show is known as one of the best performances in 1978. Stanley was in great shape from the beginning of the tour, but Jeff's condition was not so good anymore. Not that he was particularly sluggish, but rather unfamiliar. The show had some great playing in places, but there were also a few mistakes. Jeff started to get better in the second half of the Japan tour, especially at the Nippon Budokan, the highlight of the tour. The second day at the Budokan, the ensemble reached the perfection of the 1978 JEFF BECK GROUP. The second day of the Budokan show was a monumental show, but the recording did not quite live up to the expectations of the audience. There have been several audience recordings of the show, but they have all been of poor quality. While the performances were well known for their excellence, the sound alone was not enough to make an overwhelming live album. This album marks the end of that history. The fact that it was newly unearthed 41 years after the show is a surprise in itself, but the contents are also amazing. This is the only original master that was given to us by the recording artist himself, and what is most amazing is the on core and detailed detail. It is not a close recording that could be mistaken for a soundboard, but the core that comes through the clear, transparent air is lush with detail and full of response. As a matter of fact, while the band as a whole is not without a sense of distance in tone, the exception is Jeff's guitar. It penetrates through the entire ensemble and comes right at you with a gusto. I mentioned earlier that \"you can't mistake this for a soundboard,\" but when it comes to the guitar, it's as close as a line recording. Moreover, the more the show progresses, the better it gets, which is amazing. The high quality of the recording is exploding from the beginning of the show, but in the second half, the entire band's on-key quality increases, as if the on-site PA is getting better. Stanley's bass, in particular, was detailed to the level of the vibe, both in the attack springiness and the undulating groove. The two lines of the bass intertwine with Jeff's selfish guitar and weave up a tapestry of clear contours. It is not just a matter of the guitar and bass being easy to hear, but a subtle sense of each other's breathing, as if they are reading each other's next move, even before it becomes a sound. Of course, this is without a doubt the best recording of the second day at Nippon Budokan in total, but the guitar sound and the improved second half is one of the best in the whole of 1978. The sound of the second half of the album is one of the best in the entire year 1978. The guitar playing is more intense than ever before, and the band is in top form from the beginning of the song, which is followed by \"Star Cycle\" and \"Freeway Jam\". Cat Moves,\" which started with a guitar riff, also heated up towards the latter half. Stanley, who shares the stage with Jeff, is also excellent. His laconic solo was also very good, followed by \"School Days\" and \"Lopsy Lu,\" both excellent. He was also very good on \"Journey To Love,\" which has been a part of the set since the Japan tour, scatting \"rah rah rah\" and dancing colorful phrases. The mood of the show was also very good, probably due to the ensemble's great energy. After \"Journey To Love,\" Jeff teased Stanley with an MC, and Stanley counted \"Ichinny Sanshi Ichinny Sanshi\" in Japanese before launching into \"Lopsy Lu. The band's spirits were unwavering throughout the song, and they continued with \"Rock 'n' Roll Jelly\" in high spirits, followed by an overwhelmingly enthusiastic rendition of \"Superstition. The performance of \"Superstition\" is overwhelmingly passionate. Although the greatness of the performance can be glimpsed in the previous recordings, it is even sharper and more vivid in the clear sound of this album. The second day at Nippon Budokan, which is highly acclaimed as one of the best performances in the popular 1978 collection. This is a miraculous new master that greatly updates the best sound. There is a tape change after \"Diamond Dust,\" \"Rock 'n' Roll Jelly,\" and \"Blue Wind,\" but all of them are the cheers between the songs, and not a single note of the passionate performance is missed. This is a live album of cultural heritage level that permanently preserves the masterpiece performance of Jeff and Stanley, two rare geniuses who layered their sounds on top of each other, in the highest quality sound. Live at Budokan, Tokyo, Japan 1st December 1978 PERFECT SOUND(from Original Masters) Disc 1 (51:55) 1. Darkness\/Earth In Search Of A Sun 2. Freeway Jam 4. Goodbye Pork Pie Hat 5. Cat Moves 6. Bass Solo\/School Days 7. Journey To Love 8. Lopsy Lu 9. Solo\/Scatterbrain(reprise) 3. Rock 'n' Roll Jelly 4. Cause We've Ended As Lovers 5. Blue Wind 6. Hymas - Keyboards Simon Phillips - Drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46890496852272,"sku":"CDN-01357.html","price":86.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JeffBeck-Japan-12.1.1978-1.jpg?v=1696423379"},{"product_id":"john-mayer-john-mayer-tokyo-japan-2019-complete-iem-matrix-ver","title":"John Mayer John Mayer\/Tokyo,Japan 2019 Complete IEM Matrix Ver.","description":"\u003cspan data-mce-fragment=\"1\"\u003eJohn Mayer returns to his sacred Budokan for the first time in five years for his 2019 Japan Tour, featuring two nights in Tokyo on both days in a miracle sound that rivals stereo soundboard recordings! This is a masterpiece produced by a label that has been following John Mayer since his first show in Japan in 2010, and has made full use of its technology! The two days of the Japan tour consisted of two parts, totaling nearly 150 minutes of passionate performances, and especially on the first day, Ed Sheeran, a close friend of John Mayer's, jumped in to join the show and became a big hit. Of course, the setlists were completely changed between the two days, so it is safe to say that the two Japan tours are a single live performance that can only be completed by combining the two shows. This is literally the final and definitive memorial item, coupling the two moving nights with a CD of perfect, official-grade sound quality and a DVD of outstanding stability and spectacular quality! This is a tear-jerking title that will allow you to experience the magnificence of the multi-stereo IEM matrix recording and also visually relive the excitement of the event! Includes: - Tokyo shows 4\/10\/2019 + 4\/11\/2019 (Nippon Budokan) - - Source: Multiple Stereo IEM Matrix Recording - - Video: Original Audience Shot Nippon Budokan, Tokyo, Japan 10th April 2019 [ORIGINAL MASTER : Multiple Stereo IEM Sources Multiple Stereo IEM Sources Matrix Recording] (CD 1) -1st Set- 01. Opening 02. Helpless 03. Moving On and Getting Over 04. Who Says 05. Something Like Olivia 06. No Such Thing 07. Blues Run The Game \/ Queen of California 08. I Guess I Just Feel Like 09. Vultures 10. New Light 11. Still Feel Like Your Man -2nd Set - Walt Grace's Submarine Test, January 1967 13. Daughters 14. Free Fallin' 15. Stop This Train (CD 2) 01. Whiskey, Whiskey, Whiskey 02. The Beautiful Ones intro \/ Slow Dancing in a Burning Room 07. Blood 08. Band Introduction 09. In Repair Encore: 10. Born and Raised 11. Gravity ◆Nippon Budokan, Tokyo, Japan 10th April 2019 [ORIGINAL AUDIENCE SHOT] ( DVD) -1st Set- 01. Helpless 02. Moving On and Getting Over 03. Who Says 04. Something Like Olivia 05. No Such Thing 06. Blues Run The Game \/ Queen of California I Guess I Just Feel Like 08. Vultures 09. New Light 10. Still Feel Like Your Man -2nd Set- 11. Walt Grace's Submarine Test, January 1967 12. Daughters 13. Free Fallin' 14. Stop This Train 15. Whiskey, Whiskey, Whiskey 16. Belief (with Ed Sheeran) 17. Thinking Out Loud (with Ed Sheeran) 18. Paper Doll 20. The Beautiful Ones intro \/ Slow Dancing in a Burning Room 21. In the Blood 22. Band Introduction 23. In Repair Encore: 24. Gravity Nippon Budokan, Tokyo, Japan 11th April 2019 [ ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording] (CD 1) -1st Set- 01. Opening 02. Belief 03. Moving On and Getting Over 04. I Don't Trust Myself (With Loving You) 05. Who Says 06. Waitin' on the Day 07. Love on the Weekend 08. Something Like Olivia 09. Changing 10. Why Georgia 11. New Light -2nd Set- 12. In Your Atmosphere 13. Buckets of Rain 14. Your Body Is a Wonderland (CD 2) 01. Just Feel Like 03. Rosie 04. In the Blood 05. The Beautiful Ones intro \/ Slow Dancing in a Burning Room 06. The Age of Worry 07. If I Ever Get Around to Living 08. Waiting on the World to Change 09. Band Introduction 10. Dear Marie Encore: 11. You're Gonna Live Forever in Me 12. Gravity ◆Nippon Budokan, Tokyo, Japan 11 th April 2019 ORIGINAL AUDIENCE SHOT (DVD) -1st Set- 01. Belief 02. Moving On and Getting Over 03. I Don't Trust Myself (With Loving You) 04. Who Says 05. Waitin' on the Day 06. Love on the Weekend 07. Something Like Olivia 08. Changing 09. Why Georgia 10. New Light -2nd Set- 11. In Your Atmosphere 12. Your Body Is a Wonderland 14. Neon 15. I Guess I Just Feel Like 16. Rosie 17. In the Blood 18. The Beautiful Ones intro \/ Slow Dancing in a Burning Room 19. The Age of Worry 20. If I Ever Get Around to Living 21. Waiting on the World to Change 22. Band Introduction 23. Dear Marie Encore: 24. Forever in Me 25. ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46895277080880,"sku":"CDN-01308.html","price":104.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/JohnMayer-Japan-2019-1.jpg?v=1696482112"},{"product_id":"boz-scaggs-boz-scaggs-osaka-japan-2019","title":"Boz Scaggs Boz Scaggs\/Osaka,Japan 2019","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe King of AOR, Boz Scaggs, returns to his roots of blues music with his 19th album \"Out of the Blues\" and comes to Japan for the first time in 4 years! From his 2019 Japan tour, the May 11 Osaka show was recorded in full in unquestionably superb\/ultra high sound quality, full of power and realism! The live stage is reproduced with the perfect amount of volume \u0026amp; realistically expressed vocals, instruments, and stereo sound! The sound of the entire venue is vacuum-packed and the realism is unbearable! Of course, this is an excellent product that has been carefully mastered, so it is inevitable that you will be excited! The world-renowned bassist, Willie Weeks, is on this tour, adding to the band's performance with his heavy and stable playing! The band will perform 4 songs from the \"Out of the Blues\" album, \"Harbor Lights,\" \"Lido Shuffle,\" \"We're All Alone,\" and 7 other big hits from the classic \"Cirque Degrees\" album! They also played \"Last Tango on Sixteenth Street\" and \"Thick and Tired\" as the last song of the encore! The guitar playing was also cool, and you could hear \"Somebody Lone Me a Dime\" for more than 10 minutes, and \"You Never Can Tell\", a cover of Chuck Berry's \"You Never Can Tell\"! etc... Anyway, the setlist is a well-balanced mix of old and new songs, and you can enjoy Boz's still-fading, austere vocals and guitar playing on this great live stage! The performance was over two hours long and was too good to be true! Boz himself said the Osaka show was special, and fans should not miss it! This is the definitive Osaka concert with the finest sound! A must-have memorabilia item for fans! Live At Orix Theater, Osaka May 11th 2019 Disc-1 01. Opening: I Gotta Know Now (The Temptations) 02. Jojo 03. It's Over 04. Rock and Stick 05. The Feeling Is Gone 06. Last Tango on 16th Street 07. I've Just Got to Know 08. Radiator 110 09. Harbor Lights 10. Georgia 11. What Can I Say 12. Look What You've Done to Me... 62'13 Disc-2 01. Lowdown 02. Lido Shuffle-Encore- 03. Breakdown Dead Ahead 04. Somebody Loan Me a Dime -Encore 2- 05. Band Intro 06. We're All Alone 07. You Never Can Tell (Chuck Berry cover)-Encore 3- 08. Thanks to You 09. Sick And Tired 10. 61'18 Boz Scaggs(Vocals\/Guitar) Teddy Campbell(Drums\/Vocals) Willie Weeks(Bass) Michael Logan(Keys\/Vocals) Eric Crystal(Sax\/Keys) Mike Miller( Guitar) Branly Mejias(Percussion\/Vocals)\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46896998547760,"sku":"CDN-01286.html","price":86.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/BozScaggs-Japan-2019-1_8bd291e7-865f-4e1c-adfa-dc5cb21b6217.jpg?v=1696507746"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-15-2019-upgrade","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.15.2019 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis is the title of Eric Clapton's show in Japan last month. This is a superb master of the second day, April 15, which is reputed to have been the best played by Clapton and the band during the five-day show! We are very happy to be able to release all 5 shows from the selected master with excellent sound quality. The master of this disc is actually the master of \"Budokan 2019: The 2nd Show\" which was released while we were releasing the sound sources of this show in Japan. When we released it, we wanted to deliver the excitement of the show while the excitement was still fresh in our minds. Of the several original first generation masters available, the \"Budokan 2019: The 2nd Show\" master ended up being the best, so we decided to remaster it to produce the best title for the fourth day of the show. The taper of this master was recorded in Arena A4 block. The taper of this master was recorded in Arena A4, the very front block. It couldn't be bad. Now, let's take this opportunity to review the dates of Clapton's performances. We will also append the titles of our releases for each date. 13 April 2019 - \"Budokan 2019 1st Night (2CD)\", \"Budokan 2019 Day 1 (2CD)\", \"Budokan 2019 Day 1 New Masters (4CD)\" 15 April 2019 - \"Budokan 2019 Day 2 (2CD)\", \" Budokan 2019: The 2nd Show (2CD)\" ← [This work] 17 April 2019 - \"Budokan 2019 Day 3 (2CD)\", \"Budokan 2019 3rd Night (2CD)\" 18 April 2019 - \"Budokan 2019 Day 4 (2CD)\", \" Budokan 2019 4th Night(2CD)\" 20 April 2019 - \"Budokan 2019 Day 5(2CD)\", \"Budokan 2019 Final Night(2CD)\" In this way, all titles had high sound quality. The quality of this disc, the last one in the series, is also worthy of being the final one. The remastering was done with a slight reduction of the mid-range to make the overall sound clearer. The highs were more prominent after the acoustic set, perhaps due to the PA or recording equipment settings, or the direction of the microphones, so adjustments were made to achieve the optimum balance with the latter half of the song. Also, the sound pressure of the acoustic set, which was shifted from the electric set, was naturally increased slightly to allow for a smoother listening experience. This further polished the mastery of \"BUDOKAN 2019: The 2nd Show\". On the second day, the electric Layla, which was played for the first time in 10 years on the first day, was replaced by an unplugged Layla, killing fans' expectations, but at the end of the five shows, this day was ranked as the best played of all the shows, even by the core enthusiasts. After five performances, this day was ranked as the day with the highest play quality among all the performances. This was evidenced by Pretending's solo, which started off strongly, with a burst of rapid-fire playing. Wanna Make Love To You, his first set-in in 30 years, also featured a wonderful solo, full of songfulness and fluidity. This is truly at the level of the band's heyday, and this performance is unquestionably a \"masterpiece. This is a performance that must be heard. In the following song \"Hocchie Coochie Man,\" Clapton played a fast and furious solo, and in the postlude to \"I Shot The Sherff,\" he unusually stepped out the wah pedal in the middle of the song and played a wild solo. Clapton showed no signs of \"deterioration\" due to old age, and his performance was just as good as he was 10 years ago when he last played with Layla. Compared to the first day, his performance was clearly more cohesive and his voice sounded better. His fingers were definitely moving better, too. The flow of the second half of the stage was back to the pattern of the last few years, and the encore was in this vein with Paul Carrack singing High Time We Went, but rather than being disappointed by this, the quality of the playing on this day had even the core fans groaning. As mentioned in our review of BUDOKAN 2019: The 2nd Show, just for fun, Clapton did a nifty thing in the introduction to the unplugged Layla intro, interspersing the Beatles' \"Elinor Rigby\" phrase in his nail-picking phrases! . Some rock fans in the audience quickly noticed this and cheered. The intro also incorporates the original version of the seven-string phrase. This is quite a rare pattern among the hundreds of times he has played this song in his career. This is one of the things I enjoyed about Clapton's performance on the second day. The second half of the show was a riot of energy, which was a natural result of Clapton's strong performance on this day. Live at Budokan, Tokyo, Japan 15th April 2019 TRULY PERFECT SOUND(from Original Masters) Disc 1 (60:55) 1. Intro 2. Pretending 3. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (46:28) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897084989744,"sku":"CDN-01283.html","price":86.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.15.2019-1.jpg?v=1696508328"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-1993-2-days-complete","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 1993 2 Days Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis 4CD set includes the Budokan 2-DAYS performances on October 26 and 27 from the 1993 Japan tour, recorded in stereo with a sound so powerful that it is almost unmistakably superb. As enthusiasts know, there have been titles that recorded both nights in the past, but this disc contains the entire show in excellent sound quality that lightly surpasses all the previously released recordings. Of course, this disc is not merely an enhancement of the sound quality on both nights; it uses the original masters, which we have independently obtained for the very first time. The clarity, dynamism, balance, and depth of the sound is comparable to the quality of the 1993 Japan Tour titles that we have recently released. The press 2CD \"Twenty One and Three Live\" was released on the 26th, but we have verified that it is not from this date, but from another date. The other CD was \"The Sixth Day,\" which was released on our subsidiary label Masterport, but the master used for this disc was a different master, far superior to it. There was also a soundboard title of \"Stone Free Night\" released on 2CDR, but this disc surpasses \"Stone Free Night,\" which was said to have the best sound quality. In other words, this disc is the definitive audience title for both nights, and there is no doubt that it will reign supreme. We hope that you will experience this sound first hand. As you know, this tour was a milestone for the following year's \"From The Cradle\" album or \"Nothing But The Blues\" tour, and the first half of the tour was a set of blues covers, and the second half was a set of traditional representative songs with a sprinkling of blues. The first half of the set was a set of blues covers. One of the highlights of the set was a tribute to Jimi Hendrix, Stone Free, which was recorded right around this time. Speaking of the band members, the band included Nathan East and Andy Fairweather Lowe, who still support Clapton today, but it also included the late Richie Hayward, the powerful drummer of Little Feat, a horn section, a female chorus, and a former member of the band. The band also featured a horn section and a female chorus, as well as a blues harpist, Jerry Portnoy, formerly of the Muddy Waters Band. After a grueling blues set by only the men without the women, the acoustic set with the women's chorus was followed by the second half, where the tension reached its maximum. Moreover, Clapton, the star of the show, was motivated by what he wanted to achieve, and his performance was of excellent quality, making this tour a memory that will stay with the Japanese people forever. This is a rare master recording of the first appearance of this tour for those who have selected and enjoyed our 1993 Japan tour titles, as well as for general rock fans who want to hear the best sound quality of this tour. Clapton was definitely on fire at this Budokan 2DAYS! Please check it out. Budokan, Tokyo, Japan 26th \u0026amp; 27th October 1993 PERFECT\/TRULY PERFECT SOUND(from Original Masters) Live at Budokan, Tokyo Japan 26th October 1993 Disc 1 (54:46) 1. Opening 2. Malted Milk 3. Terraplane Blues 4. How Long Blues 5. 32-20 6. Kidman Blues 7. County Jail Blues 8. .44 9. Blues Leave Me Alone 10. Tell Me Mama 11. White Room 12. Badge 13. Wonderful Tonight Disc 2 (57:50) 1. Apart 6. Groaning The Blues 7. Cocaine 8. Ain't Nobody's Business 9. Layla Live at Budokan, Tokyo Japan 27th October 1993 Disc 3 (54:57) 1. Milk 3. Terraplane Blues 4. How Long Blues 5. 32-20 6. Kidman Blues 7. County Jail Blues 8. .44 9. Blues Leave Me Alone 10. Tell Me Mama 11. White Room 12. Badge Wonderful Tonight Disc 4 (58:11) 1. Stone Free 2. Circus Left Town 3. Tears In Heaven 4. Crossroads 5. Tearing Us Apart 6. Groaning The Blues 7. Layla Eric Clapton guitar\/vocals Andy Fairweather Low guitar Chris Stainton keyboards Jerry Portnoy harmonica Nathan East bass Richie Hayward drums Katie Kissoon backing vocals Maggie Ryder backing vocals The Kick Horns (Simon Clarke baritone saxophone, Roddy Lorimer trumpet, Tim Sanders tenor saxophone)\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897111335216,"sku":"CDN-01282.html","price":95.66,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-1993-1.jpg?v=1696508513"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-18-2019-upgrade","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.18.2019 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eFollowing the first, last, and third days of Eric Clapton's Japan Tour 2019, we are releasing the fourth day of the tour, Thursday, April 18, in a superb sound disc! We have already released a 2CD \"Budokan 2019 Day4\" of the same day within a week after the show, but the master of this disc is our original master recorded by a famous taper and is a stereo audience source that surpasses the high sound quality of the original master. You will agree that the clarity, sound balance, musical grain, stereo feel, and power of the drums are of high quality. The recording is definitely from the front of Arena A block. On the fourth day, the setlist had settled down and Clapton and the band were finally presenting a rock-solid playing quality. The highlight of the set is the opening \"Pretending,\" with two smooth and thrilling solos that make full use of the wah. The song is also a hidden masterpiece, Wanna Make Love To You, which is also a melancholy song, and many of you may have paid attention to this song and re-listened to the studio version after listening to the high-quality audio titles on this release (included in the 4CD box \"CROSSROADS ). The high point of this performance of the same song on this day is that you can hear Clapton's typical hand vibrato that seems to move the heart. The following solo on \"I'm Your Hoochie Coochie Man\" was also very thrilling! I Shot the Sheriff, the highlight of the first half of the show, was sung with great power, and the postlude was probably the best of the five shows in terms of its unique phrase structure and the way it was enlivened. In the acoustic set that followed, Clapton played firmly, calmly, and tightly. The second half of the electric set is also rock-solid, with Clapton's first tone miss on the bridge arpeggio of \"Badge\" being a charm. It's a rare scene in a way, but Clapton pulls it off, and while I thought he was going to end up with a mediocre solo, Clapton is there at the end of his solo to fire it up beautifully. Crossroads, which started with a long intro peculiar to this day, Little Queen of Spades, where the soloing between the members was played with more poise than usual, and Cocaine, which was a climax suitable for the finale, showed more than averageness. The quality of play was above average for each number. Clapton's closing solo in Little Queen of Spades was especially great. And in the middle solo of Cocaine, Clapton's playing including hand phrases is very impressive. I haven't heard such a hot Cocaine solo in a while! In the encore solo of High Time We Went, Cocaine plays with a wah pedal, which is rare in this song. In general, there were few mistones, and I would say that this was a day of high playing quality. The cheers and applause at the end of the show were captured realistically, and even the announcement over the public address system was recorded at the end of the show. The entire recording conveys that the stage was not bad on this day. This is the definitive version of the 4th day performance. This is the only one and only one of its kind, as it was recorded from the original new master. Live at Budokan, Tokyo, Japan 18th April 2019 TRULY PERFECT SOUND (from Original Masters) Disc 1 (57:17) 1. Intro 2. Pretending 3. Key to the Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (45:30) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897436885296,"sku":"CDN-01237.html","price":86.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.18.2019-1.jpg?v=1696510932"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-20-2019-mk4-master-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.20.2019 MK4 Master Ver","description":"\u003cspan data-mce-fragment=\"1\"\u003eThank you for your patience! The final, definitive edition of Eric Clapton's 2019 Japan Tour, which we have been announcing for some time, is finally here! This is a masterpiece featuring the last day (April 20) of his five-night Japan tour at the sacred Budokan, fully recorded in superb sound and video! The setlist, which opened with \"Pretending\" and included the rare number \"(I Wanna) Make Love to You\", is a must-see for this tour! This is a coupling item of 2CDs with the ultimate high quality sound of this legendary performance, which you can't miss, and a DVD with the best original video footage of the performance, which is available for the first time. The previously released 2CD (\"Live at Budokan 2019 - 5th Night SAT 20 APRIL\") uses an audience sound source with excellent sound balance that directly conveys the atmosphere of the venue, but the master used for this release is an astonishing master that surpasses even that source. The master used for this album is an astonishing audience master that surpasses even that source, and of course is a gem of an original sound source that is being released for the first time in the world. While the previously released 2CDR was recorded using a high-end omni-directional microphone, the MK4 master is a unidirectional, top-quality microphone that has long held a firm position as the pinnacle of audience recordings. The MK4 master is characterized by a rich, fat, and thick mid-range, and allows us to enjoy a professional recording that captures Clapton's one-and-only guitar sound to a magnificent degree. This is sure to bring tears to the eyes of fans of all generations! The unidirectional nature of the recording also makes it virtually impervious to the annoying ambient noises of hand clapping and chatting that are so common in audience recordings. Various recordings of the final Budokan concert have been circulating since the end of the show, but this one is sure to convince you at first listen that the \"thing\" is different! This is a sound source of another dimension that will surely convince you. The accompanying DVD contains the shocking original footage captured from a very close distance in front of the 1st floor West Stand using an audience camera with an excellent view and stability. The close-up shots are particularly powerful, and even Clapton's fingering is clearly and distinctly captured. This is amazing! The sound quality is also unquestionable, as the audio is from the same superb audience source that was used for the previously released 2CD. This is the Budokan Fifth Night at the Budokan, brought back to life with the best sound and images! Includes: - Original audience master (MK4) - Video: Original audience shot Recorded Live at Nippon Budokan, Tokyo, Japan 20th April 2019 (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Badge 02. Little Queen of Spades 05. Cocaine Encore: 06. High Time We Went (DVD) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith 12. Badge 13. Wonderful Tonight 14. Cross Road Blues 15. Little Queen of Spades 16. Cocaine Encore: 17. High Time We Went\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897459364144,"sku":"CDN-01224.html","price":84.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.20.2019-1.jpg?v=1696511127"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-18-2019-mk4-master-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.18.2019 MK4 Master Ver","description":"\u003cspan data-mce-fragment=\"1\"\u003eThank you for your patience! The final, definitive edition of Eric Clapton's 2019 Japan Tour, which we have been announcing for some time, is finally here! This is a masterpiece of the fourth day (April 18) of his five-night Japan tour at the sacred Budokan, fully recorded in superb sound and video! The setlist, which opened with \"Pretending\" and included the rare number \"(I Wanna) Make Love to You\", is a must-see for this tour only! This is a coupling item of 2CDs with the ultimate high quality sound of this legendary performance that you can't miss, and a DVD with the best original video footage that has never been released before. The previously released 2CD (\"Live at Budokan 2019 - 4th Night THU 18 APRIL\") uses an audience sound source with excellent sound balance that directly conveys the atmosphere of the venue, but the master used for this release is an astonishing master that surpasses even that source. The master used for this album is an astonishing audience master that surpasses even that source, and of course is a gem of an original sound source that is being released for the first time in the world. While the previously released 2CDR was recorded using a high-end omni-directional microphone, the MK4 master is a unidirectional, top-quality microphone that has long held a firm position as the pinnacle of audience recordings. The MK4 master is characterized by a rich, fat, and thick mid-range, and allows us to enjoy a professional recording that captures Clapton's one-and-only guitar sound to a magnificent degree. This is sure to bring tears to the eyes of fans of all generations! The unidirectional nature of the recording also makes it virtually impervious to the annoying ambient noises of hand clapping and chatting that are so common in audience recordings. Various sound sources have been circulating since the end of the show, but this one is sure to convince you at first listen that the \"thing\" is different! This is a sound source of another dimension that will surely convince you. The accompanying DVD contains original footage captured from the front of the southwest stand on the second floor using an audience camera with an excellent view of the entire stage and excellent stability. The DVD includes the original footage from the front of the southwest stand on the second floor, which was captured from an audience camera with an excellent view and stability. The sound quality is also unmistakable, as the audio is from the same superb audience source that was used for the previously released 2CD. This is the best Budokan Force Night with the best sound and video! Includes: ◆Sound Source: Original Audience Master (MK4) ◆Video: Original Audience Shots Recorded Live at Nippon Budokan, Tokyo, Japan 18th April 2019 (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Badge 02. Little Queen of Spades 05. Cocaine Encore: 06. High Time We Went (DVD) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith 12. Badge 13. Wonderful Tonight 14. Cross Road Blues 15. Little Queen of Spades 16. Cocaine Encore: 17. High Time We Went\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897482170672,"sku":"CDN-01222.html","price":84.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.18.2019-1-1.jpg?v=1696511339"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-17-2019-mk4-master-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.17.2019 MK4 Master Ver","description":"\u003cspan data-mce-fragment=\"1\"\u003eThank you for your patience! The final, definitive edition of Eric Clapton's 2019 Japan Tour, which we have been announcing for some time, is finally here! This is a masterpiece featuring the third day (April 17) of his five-night Japan tour at the Budokan in Tokyo, recorded in superb sound and video! The setlist, which opened with \"Pretending\" and included the rare number \"(I Wanna) Make Love to You\", is a must-see for this tour! This is a coupling item of 2CDs with the ultimate high quality sound of this legendary performance, which you can't miss, and a DVD with the best original video footage of the performance, which is available for the first time. The previously released 2CD (\"Live at Budokan 2019 - 3rd Night WED 17 APRIL\") uses an audience recording with excellent sound balance that directly conveys the atmosphere of the venue, but the master used for this release is an astonishing master that surpasses even that recording. The master used for this album is an astonishing audience master that surpasses even that source, and of course is a gem of an original sound source that is being released for the first time in the world. While the previously released 2CDR was recorded using a high-end omni-directional microphone, the MK4 master is a unidirectional, top-quality microphone that has long held a firm position as the pinnacle of audience recordings. The MK4 master is characterized by a rich, fat, and thick mid-range, and allows us to enjoy a professional recording that captures Clapton's one-and-only guitar sound to a magnificent degree. This is sure to bring tears to the eyes of fans of all generations! The unidirectional nature of the recording also makes it virtually impervious to the annoying ambient noises of hand clapping and chatting that are so common in audience recordings. Various recordings of the third day of the Budokan concert have been circulating since the end of the show, but this one is sure to convince you at first listen that the \"thing\" is different! This is a sound source of another dimension that will surely convince you. The accompanying DVD contains original footage captured from the front of the 1st floor south stand with an audience camera that provides an excellent view and stability of the entire stage. The DVD includes the original footage captured from the front of the first floor south stand with an excellent view and stable audience camera, which is of course the only master that can be seen here for the first time. The sound quality is also unmistakable, as it is from the same superb audience source that was used for the previously released 2CD. This is the third night at Budokan with the best sound and video! Includes: - Original audience master (MK4) - Video: Original audience shot Recorded Live at Nippon Budokan, Tokyo, Japan 17th April 2019 (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Badge 02. Little Queen of Spades 05. Cocaine Encore: 06. High Time We Went (DVD) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith 12. Badge 13. Wonderful Tonight 14. Cross Road Blues 15. Little Queen of Spades 16. Cocaine Encore:17. High Time We Went\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897502880048,"sku":"CDN-01221.html","price":84.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.17.2019-1.jpg?v=1696511486"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-15-2019-mk4-master-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.15.2019 MK4 Master Ver","description":"\u003cspan data-mce-fragment=\"1\"\u003eThank you for your patience! The final, definitive edition of Eric Clapton's 2019 Japan Tour is finally here! This masterpiece features the second day (April 15) of the five-night show at the Budokan in Tokyo, recorded in superb sound and video! Although \"Layla\" is back to the acoustic version, the setlist, which opens with \"Pretending\" and includes the rare number \"(I Wanna) Make Love to You\", is still a must-see for this tour only! This is a coupling item of 2CDs with the ultimate high quality sound of this legendary performance, which you can't miss, and a DVD with the best original video footage of the performance, which is available for the first time. The previously released 2CD (\"Live at Budokan 2019 - 2nd Night MON 15 APRIL\") uses an audience sound source with excellent sound balance that directly conveys the atmosphere of the venue, but the master used for this release is an astonishing master that surpasses even that source. The master used for this release is an astonishing audience master that surpasses even that source, and of course is a gem of an original source that is being released for the first time in the world. While the 2CD release used a master recorded with a high-end omni-directional microphone, the MK4 master is a unidirectional, top-quality microphone that has long held a firm position as the pinnacle of audience recordings. The MK4 master is characterized by a rich, fat, and thick mid-range, and allows the listener to enjoy a professional recording that captures Clapton's one-and-only guitar sound to a magnificent degree. This is sure to bring tears to the eyes of fans of all generations! The unidirectional nature of the recording also makes it virtually impervious to the annoying ambient noises of hand clapping and chatting that are so common in audience recordings. Various recordings of the second day performance at the Budokan have been circulating since the end of the show, but this one is sure to convince you at first listen that the \"thing\" is different! This is a sound source of another dimension that will surely convince you. The accompanying DVD contains the shocking original footage captured from the very front row of the 1st floor West Stand with an audience camera that has a great view and excellent stability. The close-up shots are particularly powerful, and even Clapton's fingering is clearly and distinctly captured. This is amazing! The sound quality is also unquestionable, as the audio is from the same superb audience source that was used for the previously released 2CD. This is the second night at Budokan with the best sound and video! Includes: -Day 2 of the Tokyo show on April 15, 2019 -Sound: Original audience master (MK4) -Video: Original audience shot Recorded Live at Nippon Budokan, Tokyo, Japan 15th April 2019 (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Badge 02. Little Queen of Spades 05. Cocaine Encore: 06. High Time We Went (DVD) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith 12. Badge 13. Wonderful Tonight 14. Cross Road Blues 15. Little Queen of Spades 16. Cocaine Encore: 17. High Time We Went\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46897525686576,"sku":"CDN-01220.html","price":84.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.15.2019-1-1.jpg?v=1696511663"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-13-2019-mk4-master-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.13.2019 MK4 Master Ver.","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe final, definitive edition of Eric Clapton's 2019 Japan Tour is finally here! This is a masterpiece featuring the first day (April 13) of his five-night Japan tour at the sacred Budokan, fully recorded in superb sound and video! The electric version of \"Layla,\" which had not been performed in a long time, and the encore \"Cocaine,\" in which John Mayer performed and the audience's voltage reached its highest... The first night was a historic live performance that no longer needs explanation. This is a coupling item of 2CDs of this unforgettable night recorded in the ultimate high quality sound and a DVD featuring the finest original video footage of this unforgettable night. The previously released 2CD (\"Live at Budokan 2019 - 1st Night SAT 13 APRIL\") features an audience recording with excellent sound balance that directly conveys the atmosphere of the venue, but the master used for this release surpasses even that recording. The master used for this album is an astonishing audience master that surpasses even that source, and of course is a gem of an original source that is being released for the first time in the world. While the 2CD release used a master recorded with a high-end omni-directional microphone, the MK4 master uses a top-quality unidirectional microphone (MK4 master), which has long held an unshakeable position as the pinnacle of audience recordings. The MK4 master is characterized by a rich, fat, and thick mid-range, and allows us to enjoy a professional recording that captures Clapton's one-and-only guitar sound to a magnificent degree. This is sure to bring tears to the eyes of fans of all generations! The unidirectional nature of the recording also makes it virtually impervious to the annoying ambient noises of hand clapping and chatting that are so common in audience recordings. Various recordings of the first day of the Budokan concert have been circulating since the end of the show, but this one is sure to convince you at first listen that the \"thing\" is different! This is a sound source of another dimension that will surely convince you. The accompanying DVD contains original footage captured from the front of the East Stand on the 1st floor with an audience camera that provides a clear and stable view of the entire stage. The DVD includes the original footage captured from the front of the East Stand on the first floor with an excellent view and a stable audience camera. The sound quality is also unmistakable, as it is from the same top-quality audience source that was used for the previously released 2CD. This is the first night at Budokan with the best sound and video! ◆Contains: Tokyo show on April 13, 2019 ◆Sound: Original audience master (MK4) ◆Video: Original audience shot Recorded Live at Nippon Budokan, Tokyo, Japan 13th April 2019 (CD 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Running on Faith 09. Nobody Knows You When You're Down and Out 10. Tears in Heaven (CD 2) 01. Layla 02. Badge 03. Wonderful Tonight 04. Cross Road Blues 05. Little Queen of Spades 06. Before You Accuse Me Encore: 07. Cocaine (DVD) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I Shot the Sheriff 07. Driftin' Blues 08. Running on Faith 09. Nobody Knows You When You're Down and Out 10. Tears in Heaven 11. Layla 12. Badge 13. Wonderful Tonight 14. Cross Road Blues 15. Little Queen of Spades 16. Before You Accuse Me Encore: 17. ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46904534204720,"sku":"CDN-01219.html","price":84.14,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.13.2019-1.jpg?v=1696596906"},{"product_id":"boz-scaggs-boz-scaggs-tokyo-japan-2015-3-days","title":"Boz Scaggs Boz Scaggs\/Tokyo,Japan 2015 3 Days","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe 2015 Boz Scaggs concert in Japan. Here is the complete audience album of the Tokyo show. This year's show in Japan was also very popular, but the Tokyo show was especially popular and tickets sold out in no time. The original plan was for two shows, but an additional show was announced. First, let's take a look at the eight shows that Boz performed in 2015, which blew through the archipelago. Sendai: June 5, Electron Hall Miyagi Sapporo: June 8, Nitori Bunka Hall (71st birthday) Tokyo: June 10, Bunkamura Orchard Hall [Disc 1 \u0026amp; 2] Tokyo: June 11, Bunkamura Orchard Hall [Disc 3 \u0026amp; 4] Osaka: June 13, Amashin Archaic Hall Nagoya: June 15, Nagoya City Public Hall Kanazawa: June 16, Honda no Mori Hall Tokyo: June 18, Bunkamura Orchard Hall [Disc 5 \u0026amp; 6] Thus, the three days of \"Bunkamura Orchard Hall\" are recorded in this work, including additional performances, Tokyo All of the performances, including additional performances, are vacuum-packed on 6 CDs with superb sound. The recordings were made by a skilled and renowned taper who has worked with a variety of artists on their masterpieces. The most recent masterpiece is Jeff Beck's \"TOKYO DOME CITY HALL 2014\" (6CD set), which sold out instantly. As with this super classic, we were provided with a 24-bit high-resolution master and carefully remastered it to create a supreme version of a contemporary auditorium recording. When disc 1 is played, the audience announcement before the show begins, \"...... will turn off the lights. Please check the position of the doors in advance and follow the instructions of the staff in case of emergency. ......\". Then, as Boz appeared on stage, the applause spread smoothly like a gentle autumn rain, and a sense of tension took over the venue, as if even a single cough would bother the audience. Even for those who have not actually been there, a sense of presence filled the audience as if the scene of Orchard Hall was spreading before their eyes. Such realistic atmosphere is vacuum-packed from the good position of the 12th row in the center of the first floor. Then, with a soft \"Good evening,\" the performance began. The applause earlier alone foreshadowed the excellence of the sound, but the actual performance turned the premonition into a real feeling. The soft but firm bass, velvety smooth mids, and clearly contoured but never jarring high notes. Bozu's voice fills the transparent space of the venue with a faint reverberation. ...... Orchard Hall is the only place, the latest digital equipment is the only reason, and a skilled taper is the only reason to achieve this elegant sound. The soft and delicate sound, which is never possible with official works or soundboards, leaks out of the speakers and fills the room. This is the true joy of spatial recording. Why are we attracted to such a peculiar culture as \"audience recording\"? Why do tapers take the time and effort to record and why do they want to preserve it forever? It is because this is the best part. The soundscape that unfolds when you close your eyes, and the feeling that the air at that site was trembling. Because we want to feel it again and again, because we want to leave it behind, and because we want to tell someone (who will understand). What flows out of this album is a superb audience sound that reminds us of these feelings. The show was filled with such a sound, and the audience was treated to a slow and steady stream of old and new classics. In the first half of the show, songs from the R\u0026amp;B-tinged \"MEMPHIS\" and the new \"A FOOL TO CARE\" were performed with a more AOR sound, interspersed with more popular songs such as \"Jojo. The gradually warming atmosphere of the venue changed with \"Georgia. The atmosphere quickly became heated, and the following song, \"Miss Sun,\" featured an excellent combination with the black chorus member, Miss Monette. During the mid-song scat, the vocalization is so brilliant that the audience erupts in applause, leading to a heated exchange with Boz. The audience kept quiet, but the tension was so great that you could almost feel the sweat on your palms in the silence. As if to prove it, a loud cheer bursts out, as if they cannot wait for the end of the song. Miss Monet sings solo on \"Until You Come Back To Me,\" and Boz supports her on guitar. He has been performing with Miss Monet for a long time, and his vocalization of the classic songs known by Stevie Wonder and Aretha Franklin is truly wonderful. The middle two songs are probably the highlights of the show, and although this is where we switched discs for all three days, there is a bit of a reason why we chose this point for the disc split. The second half of the show is a parade of hits from the classic \"Silk Degrees\" album, including a new song \"There's a Storm Coming\" as the first encore, but other than that, the rest of the songs are all from \"Silk Degrees\", including \"Harbor Lights\", \"Lowdown\", \"Lido\", \"Shuffle\", and \"What Can I Do\". Shuffle,\" \"What Can I Say,\" and \"We're All Alone\" from SILK DEGREES. It was impossible not to get excited. In fact, the excitement of the audience was building up. The concept of this work was to divide the three days of the festival into \"the first half of the show,\" which featured \"masterpieces with a sharp tempo,\" and \"the second half,\" which featured \"masterpieces. The basic setlist is the same on the second and third days in Tokyo, but the show will end with a cool down with a new song \"Last Tango on 16th Street\" as the last song of the second encore (it is not cool at all: lol). The second day, the mood was more relaxed, but the enthusiasm was even hotter. The third day, an additional show that returned to Tokyo after a one-week absence, was a performance that conveyed a sense of relief at having completed a two-week Japan tour. It was recorded from the fourth row on the first floor, even closer to the audience than on the first and second days. This is the definitive recording of the three days in Tokyo at the same venue, with the same taper, and with the same equipment. The long rainy season is chilly and depressing, but this six-disc set will soothe such moods with its gentle voice. Whether you listen to it slowly one day at a time or leave it playing, it is 5 hours and 4 minutes that will gradually heat up the core of your body. This is a masterpiece of actual concert recordings, created by a combination of master craftsmanship, modern technology, and Boz's voice. We hope you will keep in your collection the voice of Boz, who came to Japan three years ago at the age of 71. Bunkamura Orchard Hall, Tokyo, Japan 10th, 11th \u0026amp; 18th June 2015 TRULY PERFECT SOUND(from Original Masters) Live at Bunkamura Orchard Hall, Tokyo, Japan Japan 10th June 2015 Disc 1(52:48) 1. Intro 2. Runin' Blue 3. Mixed Up, Shook Up Girl 4. Jojo 5. A Fool To Care 6. Some Change 7. Rainy Nights In Georgia 8. Heart Of Mine 9. Georgia 10. Miss Sun 11. Until You Come Back To Me Disc 2(42:45) 1. Harbor Lights 2. Lowdown 3. Lido Shuffle 4. There's Storm Coming 5. What Can I Say 6. Sick And Tired Live at Bunkamura Orchard Hall, Tokyo, Japan 11th June 2015 Disc 3(52:18) 1. Intro 2. Girl 4. Jojo 5. A Fool To Care 6. Some Change 7. Rainy Nights In Georgia 8. Heart Of Mine 9. Georgia 10. Miss Sun 11. Until You Come Back To Me Disc 4(49:53) 1. Harbor Lights 2. Lowdown 3. Lido Shuffle 4. There's a Storm Coming 5. What Can I Say 6. We're All Alone 7. Sick And Tired 8. Bunkamura Orchard Hall, Tokyo, Japan 18th June 2015 Disc 5(53:39) 1. Intro 2. Runinn' Blue 3. Mixed Up, Shook Up Girl 4. Jojo 5. I'm a Fool to Care 6. Change 7. Rainy Night In Georgia 8. Heart Of Mine 9. Georgia 10. Miss Sun 11. Until You Come Back To Me Disc 6(53:11) 1. Harbor Lights 2. There's Storm Coming 5. What Can I Say 6. We're All Alone 7. Sick And Tired 8. Last Tango On 16th Street Boz Scaggs - Vocals, Guitar Michael Miller - Guitar Richard Patterson - Bass Gene Lake - Drums Michael Logan - Keyboards, Guitar Michael Logan, Jr. - Percussion, Keyboards Eric Crystal - Guitar, Saxophones Eric Crystal - Guitar, Saxophones, Keyboards Ms. Monet - Vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46904591221040,"sku":"CDN-01187.html","price":99.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/BozScaggs-Japan-2015-1.jpg?v=1696597450"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-2-19-2009","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 2.19.2009","description":"\u003cspan data-mce-fragment=\"1\"\u003eA super high quality audience recording of the February 19 show at Budokan, the fifth day of the 2009 Japan Tour. Curtis Mayfield's \"Here But I'm Gone,\" which appeared on the previous year's Summer European Tour, was performed again in Japan. On this day, the engine was running at full throttle from the very beginning, even more so than the day before! He played so much that it felt good. This is why I can't stop going to Clapton concerts. Live at Budokan, Tokyo, Japan 19th February 2009 TRULY PEREFCT SOUND Disc 1(66:13) 1. Tell The Truth 2. Sheriff 5. Here But I'm Gone 6. Why Does Love Got To Be So Sad? 7. Driftin' 8. Travelin' Alone 9. That's Alright 10. Motherless Child 11. Running On Faith Disc 2 (51:12) 1. Motherless Children 2. Little Queen Of Spades 3. Before You Accuse Me 4. Wonderful Tonight 5. ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46904627593520,"sku":"CDN-01179.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-2.19.2009-1.jpg?v=1696597841"},{"product_id":"eric-clapton-eric-clapton-osaka-japan-2009","title":"Eric Clapton Eric Clapton\/Osaka,Japan 2009","description":"\u003cp data-mce-fragment=\"1\"\u003eThe first day of the 2009 Japan tour, February 12 at Osaka-jo Hall, was recorded completely in ultra-high quality audience recording. Live at Osaka-Jo Hall, Osaka, Japan 12th February 2009 TRULY PEREFCT SOUND Disc 1(64:26) 1. Hoochie Coochie Man 2. Key To The Highway 3. I Shot The Sheriff 4. Isn't It A Pity 5. Tell The Truth 6. Why Does Love Got To Be So Sad 7. Driftin' Blues 8. Travelin' Alone 9. That's Alright 10. Motherless Child 11. Running On Faith Disc 2(50:25) 1. Motherless Children 2. Queen Of Spades 3. Everything's Gonna Be Alright 4. Wonderful Tonight 5. Layla 6. Cocaine 7. Crossroad Eric Clapton - guitar \/ vocal\u003c\/p\u003e\n\u003cdiv id=\"pi_cart\" class=\"layoutp3\" data-mce-fragment=\"1\"\u003e\n\u003cform name=\"ZOOM\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/SHOP\/zoomitem.php\" data-mce-fragment=\"1\" target=\"zoom\"\u003e\u003c\/form\u003e\n\u003cform name=\"CARTIN\" class=\"shopping_form\" method=\"POST\" action=\"https:\/\/monotone-extra.co.jp\/CART\/cart.php\" data-mce-fragment=\"1\"\u003e\u003c\/form\u003e\n\u003c\/div\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46904657281328,"sku":"CDN-01180.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-2009-1.jpg?v=1696598076"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-13-20-2019","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.13 \u0026 20.2019","description":"\u003cspan data-mce-fragment=\"1\"\u003eAn unexpected dark horse, highly recommended title for Clapton's 2019 Japan tour is now available! This 4-CD set is made directly from the best recording masters by a renowned Kanto taper. The contents are a coupling of the first day, April 13, and the last day, April 20. From the unexpectedly powerful opening of Pretending, Wanna Make Love to You from the \"August\" period, which surprised maniacs, to the electric Layla, which was played for the first time in Japan in 10 years, to Before You Accuse Me, and Cocaine, which was the last big round with John Mayer as a guest. The first day of the show was so special that many fans would still welcome a better recording, but this take is just the right one. Recorded from the perfect position in Arena A4, this take has an appealing, robust sound image that is the opposite of the lighter digital recordings that are so popular these days, and this image is perfect for Clapton's live performances. Deep and rich, clean yet mild and warm, this is the best sound of the show. The second half of the disc features the final show of the night, the 20th, and it sounds just as good as the first show. The advanced microphones are definitely used, and the sound is fat and stable, allowing the audience to relive the emotional final show. This is a recording from the southwest front seats of the first floor stand, and perhaps because the sound is captured directly from the PA, the sound is very close and clear without feeling the remoteness of the sound from the stand seats. It is a top level recording that makes you feel nostalgic in a good way, and the sound image is just perfect for Clapton's show. This is a highly recommended 4-disc set that captures the popular first night and the memorable last night of the show. Live at Budokan, Tokyo, Japan 13th \u0026amp; 20th April 2019 TRULY PERFECT SOUND (from Original Masters) Live at Budokan, Tokyo, Japan 13th April 2019 Disc 1 ( Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Running on Faith 9. Nobody Knows You When You're Down and Out 10. Tears in Heaven Disc 2 (53:34) 1. Layla 2. Spades 6. Before You Accuse Me 7. Cocaine (with John Mayer) Live at Budokan, Tokyo, Japan 20th April 2019 Disc 3 (59:50) 1. Intro 2. Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 4 (45:33) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Cocaine 6. High Time We Went span\u0026gt;\u003c!-- ------\u003e\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46904958615856,"sku":"CDN-01142.html","price":91.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.13_20.2019-1.jpg?v=1696599537"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-13-2019-upgrade","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.13.2019 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eWe are pleased to announce the release of the superb sound recording of the legendary first day of Eric Clapton's Japan Tour 2019, which ended with a great success after five shows! We are pleased to announce the release of \"Budokan 2019 Day 1\" and \"Budokan 2019 Day 1: New Masters\", both of which were released in super fast time and in high sound quality, but we wanted to release another super high sound quality disc. The master of this disc, which was recently uploaded to the Internet, has the highest sound quality of all the Schoeps MK4 microphone recordings. We have remastered the master to take the sound to the next level, and have improved the sound to the very limit without overdoing it. I assure you. This disc is the best sound source of the first night! I am sure many fans already know why this first day performance brought such a shock to the audience, but I will mention it again. It was in the set list. In recent years, Clapton has not made any major changes to the setlist, and he successfully defied most people's expectations that he would start slowly with another favorite unreleased J.J. Cale number, Somebody's Knocking, and started hard with Pretending, the top number from his 1989 album, Journeyman. We started hard with Pretending. This was the day that foreshadowed that something was different. That actually came true with the third song, Wanna Make Love to You, a hidden gem (an outtake from the album \"AUGUST\") that had not been played for 30 years since 1989. The intro of the song had been rearranged from the original version, so much so that even the most enthusiastic fan could not recall the name of the song. Clapton's solo on this song was full of melancholy and songfulness. The new custom Strat with smoky green finish roared like a cry of anguish. The selection was enough to surprise even longtime fans. Clapton's live stage performance of \"I Shot The Sheriff\" has earned him a reputation as one of the best first half of his live show, and although he played some mistones in the beginning of his post-solo, he struggled to bring himself back to his old level. There was an aggressive Clapton there, carefully building up his solo as if to check each note, as if to return to his old self. There was the old Clapton, still great even in his old age. The audience cheered loudly, and the stage went into an acoustic set. After a few moments of quiet, wonderful Martin tones, the stage shifted back to a standing set. Here, Clapton struck the crucible of excitement in the audience with \"Electric\" Layla, his first performance in Japan in 10 years. In recent years, Clapton had been in poor health and had only performed \"unplugged\" Layla in his acoustic sets, but he performed the original version, which consumes much more energy, at the end of his sitting set. The excitement in the audience at that time is captured realistically in this recording. It was a tremendous cheer. In fact, there is a story behind the appearance of this unexpected number at an unexpected spot that was later revealed. On the leaked set list sheet of the first day of the tour, Layla was listed as the finale of the main (regular) set. The electric number after the acoustic set was Badge on the sheet. The truth is that Clapton, who was so excited to play the electric Layla that he had not played it for a long time, got the order of the songs wrong and played Layla here instead of at the end. He repeated the intro seven-note phrase three times and turned to Doyle with a big smile on his face, saying, \"Hey, I got the order of the songs wrong. Follow me.\" That's what he meant. What a happening! Clapton was so excited that he got the order of the songs wrong. Crossroads was great, Little Queen of Spades was great, and Before You Accuse Me was great! And Before You Accuse Me was a complete surprise, not even on the setlist sheet (I'm sure the band was surprised). This was one of the factors that made the first night so \"special\". Now, what was the encore? The audience was wondering what the encore was going to be, and along with Clapton, John Mayer, a young guitarist who had just finished a Budokan concert two days earlier, appeared on stage. The venue was a crucible of excitement. Naturally, the arena seats were on their feet. Mayer chose Cocaine, which is easy to play on the pentatonic scale. It is likely that Clapton knew before the show started that Mayer was going to jump in, and saved this song for Mayer's jump-in. Naturally, the second solo was given to Mayer, and he took a long solo with a heartbreaking phrase. The encores after the second day were the same as before, High Time We Went featuring Paul Carrack, so the first day was \"special. Live at Budokan, Tokyo, Japan 13th April 2019 TRULY PERFECT\/ULTIMATE SOUND Disc 1 (52:53) 1. Intro 2. Pretending 3. Key to the Highway 4. Wanna Make Love to I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Running on Faith 9. Nobody Knows You When You're Down and Out 10. Tears in Heaven Disc 2 (52:00) 1. Layla 2. Badge 3. Wonderful Tonight 4. Crossroads 5. Little Queen of Spades 6. Before You Accuse Me 7. Cocaine (with John Mayer) Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905024872752,"sku":"CDN-01141.html","price":83.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.13.2019-1-1.jpg?v=1696599782"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-17-2019-upgrade","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.17.2019 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eEric Clapton, Japan Tour 2019.The Evolution release continues! This disc features the complete stereo audience recording of the third day of the tour, April 17, in superb stereo. This is the original master that we have newly acquired directly from the recording artist. We have already released a high quality disc \"Budokan 2019 Day 3 (2CD)\", but this is a completely different master and the recording position is Arena B Block Center. I can assure you that this disc is the best sound quality for this third day later on. Now, let's take this opportunity to review the dates of this Clapton concert. We will also include our release titles for each day.13 April 2019 - \"Budokan 2019 1st Night (2CD)\", \"Budokan 2019 Day 1 (2CD)\", \"Budokan 2019 Day 1 New Masters (4CD)\", \"Budokan 2019: The 1st Show (2CD)\" 15 April 2019 - \"Budokan 2019 Day 2 (2CD)\", \"Budokan 2019: The 2nd Show (2CD)\" 17 April 2019 - \"Budokan 2019 Day 3 (2CD)\" ← [This work] 18 April 2019 - \"Budokan 2019 Day 4 (2CD)\" 20 April 2019 - \"Budokan 2019 Day 5 (2CD)\" \"Budokan 2019: The Final Show (2CD)\" This third day will go back to the first day setlist again, partly after the second day, so The third day was expected to return to the setlist of the first day after the second day. However, as expected, the setlist was the same as on the second day. The setlist seemed to be fixed here, and although Electric Layla was not played, it was a day that presented a consistent quality of play with no surprises, just like the second day. However, the opening Pretending, with its off-kilter finger-picking intro and mediocre solo, had fans worried about what would happen today. Her voice wasn't very good either. He finally got into his stride with a passionate solo on \"Wanna Make Love to You,\" an outtake from the album \"AUGUST,\" whose rare selection of songs has been a big hit among the fans. The postlude to \"I Shot the Sheriff\" is a songful phrase that gets the crowd going. This is a relief. At the beginning of the acoustic set, \"Hi, are you having fun?\" to the audience at the beginning of the acoustic set, and the acoustic set proceeded smoothly and joyfully. At the end of this section, he continued to play unplugged Layla, as he had done on the second day. Some sources say that he had to change to unplugged because of a blister on his left finger on the first day, while others say that he said that electric Layla was a difficult song that drained his energy. Regardless, it is true that unplugged Layla is also great. In the latter half of the set, Clapton played an energetic solo on \"Crossroads\" that seemed to be Clapton's own sky-high style, and he overwhelmed the audience with a bluesy rendition of \"Little Queen of Spades\" that really got to the heart of the audience. At the end of the main set, he played Cocaine with a groove. The middle solo showcased wah play with a nuance that only Clapton can deliver. The encore was High Time We Went sung by Paul Carrack, as has been the trend in recent years, but to my surprise, the solo here was the sharpest of the day, as he stepped on the wah-wah and exploded into a phrase that I thought was the sharpest of the day. Normally, I would have let him off lightly due to fatigue, but.... But Clapton, as expected! He makes you listen. Thinking of it that way, every song is worth listening to (in a way, the instability of the opening song is also intriguing). The third day in the best sound quality is not bad either. After having experienced the first day and the last day in the best sound quality, please enjoy the middle day, the third day, in the best sound quality. Live at Budokan, Tokyo, Japan 17th April 2019 TRULY PERFECT\/ULTIMATE SOUND(from Original Masters) Disc 1 (58:53) 1. Intro 2. Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (45:10) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Cocaine 6. High Time We Went Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905081037104,"sku":"CDN-01140.html","price":83.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.17.2019-1_64acab2a-ecde-44a0-8600-5264ea27cdab.jpg?v=1696599939"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-20-2019-upgrade","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.20.2019 Upgrade","description":"\u003cspan data-mce-fragment=\"1\"\u003eWe have been releasing Eric Clapton's Japan tour titles at super speed. We have received various comments of satisfaction, such as \"I didn't think we would get all five concerts so soon,\" \"I didn't expect such high sound quality from all five concerts,\" \"Each day had its own unique listening spots, and I enjoyed comparing them,\" and \"The five concerts were just right for me to compare them. We have delivered high quality and realistic sound sources while the afterglow of the performances was still fresh in our minds, and now we are further evolving the release! We have already released the highest quality \"Budokan 2019 1st Night (2CD)\" for the first day, the 13th, and from this week we will be releasing the other days with the same high quality sound. First of all, we will release the ultimate disc of the last performance on the 20th. This master is a front row recording of the arena, which was the basis for our Budokan 2019 Day 5 release. In order to further upgrade the recording, we have relaxed the \"hall rumblings\" to meet such requests. The result is a more natural texture and a fuller performance. In addition, we have increased the sound pressure of the acoustic set section by 5db. The acoustic set has been raised by 5db so that there is no difference between the electric set and the acoustic set. This allows the audience to concentrate on the acoustic set more smoothly. The sound quality of the \"Budokan 2019 Day 5\" has already surprised you, but this disc is an even better upgrade. Now, let's take this opportunity to review the dates of this Clapton performance. We will also append the titles of our releases for each day. 13 April 2019 - \"Budokan 2019 1st Night (2CD)\", \"Budokan 2019 Day 1 (2CD)\", \"Budokan 2019 Day 1 New Masters (4CD)\" 15 April 2019 - \"Budokan 2019 Day 2 (2CD)\", \" Budokan 2019: The 2nd Show (free 2CD)\" 17 April 2019 - \"Budokan 2019 Day 3 (2CD)\" 18 April 2019 - \"Budokan 2019 Day 4 (2CD)\" 20 April 2019 - \"Budokan 2019 Day 5 (2CD )\" ← [This work] Since this is the commemorative final performance, it may be natural to say that it is natural to introduce a press release here. But it is only possible with the provision of such an astonishingly excellent master. This is a genuine front row recording of the arena. The power of the grainy sound, especially Sonny Emory's drum sound, is too much. The contrast between the guitar sounds of Clapton and Doyle Bramhall, who face each other, is amazing! Will Electric Layla be back on this final day? Will that change the set list? Will we hear any comments from Clapton at the end? However, in the end, the setlist included the same unplugged Layla as on the second and subsequent days, and there was no particular comment. However, with this sound in front of you, it doesn't matter, just take in this raging sound shower. As I mentioned in my review of \"Budokan 2019 Day 5 (2CD),\" the highlight of this final day was that Clapton worked hard to maintain the quality of the music, even though he looked very tired on the last day, probably because it was the first consecutive performance this year after a long vacation. The key point was that Clapton kept up the quality of the music even though he looked very tired on the last day. From the opening Pretending to the encore, there were a few moments of danger in both singing and playing. However, Clapton showed his typical brilliance, such as in Wanna Make Love to You, in which he exploded with his signature rapid-fire playing, and the way he played the songs with care and delicacy throughout the entire show was absolutely beautiful. This was the final performance by the legendary artist, who boasts a 56-year career, in his favorite country, Japan. I think this disc, which preserves the ultimate sound forever, is the most appropriate way to tell the story. Whether you have selected the entire concert or are satisfied with the first pressing, this is the disc that will satisfy you the next time. The miraculous ultra-high quality sound quality is even better than the soundboard. (Remastering memo) In order to make a difference, the hall rumblings have been eased. The effect is a natural texture and the performance is fuller. The sound pressure of the acoustic part was increased by 5db. *The acoustic part of the sound pressure has been raised by 5db. Live at Budokan, Tokyo, Japan 20th April 2019 ULTIMATE SOUND(from Original Masters) Disc 1 (59:48) 1. Intro 2. Pretending 3. Key to the Highway 4. Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla Running on Faith Disc 2 (44:56) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905119244592,"sku":"CDN-01139.html","price":83.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.20.2019-1_9899f005-3b29-4b08-bbfe-d9a3a60bb2ce.jpg?v=1696600081"},{"product_id":"eric-clapton-jeff-beck-eric-clapton-jeff-beck-saitama-japan-2-22-2009","title":"Eric Clapton,Jeff Beck Eric Clapton Jeff Beck\/Saitama,Japan 2.22.2009","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe two historic dates were each released in the best sound quality, much to the delight of fans. To be honest, they were all so great that it was hard to choose between them, but the \"SAITAMA SUPER ARENA NIGHT\" series released by the label was not only rich in sound pressure, but also natural and clear without any sense of excessive equalization. The sound quality of the recordings is not only rich in sound pressure, but also natural and clear without excessive equalization, which has greatly attracted fans and collectors. The first part of Beck's show started with \"The Pump\" instead of the usual \"Beck's Bolero. The second half of the show switched songs on both days, with a joint solo by Tull and Beck followed by Blue Wind, and then A Day In The Life, the last song of the show, on the first day, followed by a Tull and Beck solo and the usual last song, A Day In The Life, here on the second day, followed by a rich performance of Big Block. followed by Where Were You by Beck and David. The encore was only \"Peter Gunn Theme\" on both days. Clapton started the second part of the show with an acoustic set, switching songs on both days. (The \"unplugged version of Layla\" was only performed on these two dates of the 2009 Japan tour.) The electric set was supposed to be blues-centric on the first day and hit-centric on the second day, but in fact, \"Little Queen Of Spades\" and \"Before You Accuse Me\" were played on the first day only, and \"Key To The Highway\" and \"I Shot The Highway\" were played on the second day. Highway,\" \"I Shot The Sheriff,\" and \"Wonderful Tonight\" on the second day. Clapton performed a great show on both days with a short set lasting about an hour. Live at Saitama Super Arena, Saitama, Japan 22nd February 2009 TRULY PERFECT SOUND Disc 1 Jeff Beck 1. The Pump 2. You Never Know 3. Lovers 4. Stratus 5. Angel 6. Led Boots 7. Goodbye Pork Pie Hat \/ Brush With The Blues 8. Tal's Solo with Jeff 9. A Day In The Life 10. Big Block 11. Where Were You Peter Gunn Theme Eric Clapton 13. driftin' 14. layla 15. motherless child 16. running on faith Disc 2 1. tell The Truth 2. key To The Highway 3. i Shot The Sheriff 4. Wonderful Tonight 5. Cocaine 6. Crossroads Eric Clapton \u0026amp; Jeff Beck 7. You Need Love 8. Listen Here \/ Compared To What 9. Here But I'm Gone 10. Outside Woman Blues 11. Brown Bird 12. Wee Wee Baby 13. Want To Take You Higher Eric Clapton - Guitar, Vocals Doyle Bramhall II - Guitar, Vocals Chris Stainton - Keyboards Willie Weeks - Bass Abe Laboriel, Jr. - Drums Michelle John - Backing Vocals Sharon White - Backing Vocals Jeff Beck - Guitar Tal Wilkenfeld - Bass David Sancious - Keyboards Vinnie Colaiuta - Drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905275973936,"sku":"CDN-01117.html","price":83.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-JeffBeck-Japan-2.22.2009-1.jpg?v=1696600809"},{"product_id":"eric-clapton-jeff-beck-eric-clapton-jeff-beck-saitama-japan-2-21-2009","title":"Eric Clapton,Jeff Beck Eric Clapton Jeff Beck\/Saitama,Japan 2.21.2009","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe two historic dates were each released in the best sound quality, much to the delight of fans. To be honest, they were all so great that it was hard to choose between them, but the \"SAITAMA SUPER ARENA NIGHT\" series released by the label was not only rich in sound pressure, but also natural and clear without any sense of excessive equalization. The sound quality of the recordings is not only rich in sound pressure, but also natural and clear without excessive equalization, which has greatly attracted fans and collectors. The first part of Beck's show started with \"The Pump\" instead of the usual \"Beck's Bolero. The second half of the show switched songs on both days, with a joint solo by Tull and Beck followed by Blue Wind, and then A Day In The Life, the last song of the show, on the first day, followed by a Tull and Beck solo and the usual last song, A Day In The Life, here on the second day, followed by a rich performance of Big Block. followed by Where Were You by Beck and David. The encore was only \"Peter Gunn Theme\" on both days. Clapton started the second part of the show with an acoustic set, switching songs between the two days. The \"unplugged version of Layla\" was performed only on these two days of the 2009 Japan tour. The electric set was supposed to be a blues-centric set on the first day and a hit-centric set on the second day, but in fact, \"Little Queen Of Spades\" and \"Before You Accuse Me\" were played on the first day only, and \"Key To The Highway\" and \"I Shot The Highway\" were played on the second day. Highway,\" \"I Shot The Sheriff,\" and \"Wonderful Tonight\" on the second day. Clapton performed a great show on both days with a short set lasting about an hour. Live at Saitama Super Arena, Saitama, Japan 21st February 2009 TRULY PERFECT SOUND Disc 1 Jeff Beck 1. The Pump 2. You Never Know 3. Lovers 4. Stratus 5. Angel 6. Led Boots 7. Goodbye Pork Pie Hat \/ Brush With The Blues 8. Tal's Solo with Jeff 9. Blue Wind 10. Theme Eric Clapton 12. Driftin' 13. Layla 14. Motherless Child 15. Running On Faith Disc 2 1. Tell The Truth 2. Little Queen Of Spades 3. Cocaine 5. Crossroads Eric Clapton \u0026amp; Jeff Beck 6. You Need Love 7. Listen Here \/ Compared To What 8. Here But I'm Gone 9. Outside Woman Blues 10. Brown Bird 11. Wee Wee Baby 12. Want To Take You Higher Eric Clapton - Guitar, Vocals Doyle Bramhall II - Guitar, Vocals Chris Stainton - Keyboards Willie Weeks - Bass Abe Laboriel, Jr. - Drums Michelle John - Backing Vocals Sharon White - Backing Vocals Jeff Beck - Guitar Tal Wilkenfeld - Bass David Sancious - Keyboards Keyboards Vinnie Colaiuta - Drums\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905291407664,"sku":"CDN-01116.html","price":83.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-JeffBeck-Japan-2.21.2009-1.jpg?v=1696600968"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-13-2019-dat-master","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.13.2019 DAT Master","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe first day of Eric Clapton's Japan tour on April 13 was filled with elements that will make it a \"legend\" to be remembered for years to come. In addition to a revamped set list, the return of Electric Layla for the first time in 10 years (played only on that day out of the five shows), and the arrival of John Mayer, a young number one guitarist who was on a Japan tour at the same time, and a friend of Clapton's, all made for a memorable performance. Clapton himself greeted the audience at the beginning of the acoustic set. He said, \"It's great to be back here again. I feel like I'm back home. I feel as if I am at home here. For those who were not able to see the concert, we hope you will feel the \"specialness\" of the concert as well as the unforgettable memory of the fans who saw it. While Clapton is still in Japan, we have released the first day of the concert as \"Budokan 2019 Day 1\" earlier than anywhere else. We were the first to release the \"Budokan 2019 Day 1\", a high quality stereo disc, and it was well received by our customers, who were the first to experience the \"legend\" of the show! The master titled \"Recorder 1\" was DAT-recorded at Budokan, 1st floor, West C row, 4th position. The taper is the same person who made a high-quality recording of Clapton and Jeff Beck's miraculous 2-Day concert at Saitama Arena in 2009, which was released on vinyl as \"ERIC CLAPTON \u0026amp; JEFF BECK - LIVE TOGETHER (6CD)\" and has been praised by both Clapton and Beck fans, Beck's fans have praised his work. He is a \"killer\" who can guarantee unquestionable quality in the best positions. Our engineers have further mastered and polished the sound from the high quality master. The quality is unquestionable. The master titled \"Recorder 2\" is also an original master that we directly obtained. The recording position was the center of Arena B block. The recording position was in the center of Block B of the arena, and the quality of the recording was as good as or better than that of Recorder 1. Therefore, I can say, \"Both recordings are of unquestionably high sound quality, and both are hard to throw away. Both of them are of unquestionably high sound quality, and both of them are hard to throw away. Since the recording positions are different, we hope you will enjoy listening to the two high quality masters while comparing the sound quality and the excitement of the audience. Three years ago, Clapton was walking on stage with a supporter wrapped around his right knee, but he was a different person. He was in good spirits anyway. It was evident in his playing. The best parts of the show were the number \"Wanna Make Love To You,\" which was his first set-in, and the electric Layla solo. Clapton shook off the danger of being on the verge of misstoning due to old age, and mixed in fast playing with his slow hand technique, a phrase structure unique to Clapton. Clapton is alive and well! Of course, Martin's signature model acoustic set with its emotional tone and delicate fingerpicking was also wonderful. Clapton's desire to retire from touring, which he has announced many times, but has not been able to do so. We Japanese fans were able to support him and share his passion with him at the Budokan. This 4-disc set is a collection of those moments that perfectly matched. Clapton is back in Japan! How many masters are there for this first day? Please enjoy this set of 4 discs to experience this \"special\" day. 52:45) 1. Intro 2. Pretending 3. Key to the Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Running on Faith 9. Nobody Knows You When You're Down and Out 10. Tears in Heaven Disc 2 (57:59) 1. Layla 2. Cocaine (with John Mayer) Recorder 2 Arena B Block Central Disc 3 (52:48) 1. Intro 2. Pretending 3. Key to the Highway 4. Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Running on Faith 9. Nobody Knows You When You're Down and Out 10. Tears in Heaven Disc 4(55:16) 1. Layla 2. Badge 3. Wonderful Tonight 4. Crossroads 5. Little Queen of Spades 6. Before You Accuse Me 7. Cocaine (with John Mayer) Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905326600496,"sku":"CDN-01114.html","price":91.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.13.2019-1-1-1.jpg?v=1696601314"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-20-2019","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.20.2019","description":"\u003cspan data-mce-fragment=\"1\"\u003eEric Clapton, Japan Tour 2019, the furious and super-fast release continues! This is the original high quality master of the final Budokan show just this past Saturday, the 20th (Sat.). We decided to release this disc in less than a week. We decided to release this disc less than a week later because it was such a superb master. All five performances are now available. This master was also provided directly from the recording artist, and the recording position is the very front row of the arena. The sound is so close and clear (the drum sound is amazing!) and stereo (Clapton and Dorsey are in the front row). (The separation between Clapton and Doyle is amazing!). (The separation between Clapton and Doyle is amazing!). In keeping with our motto of releasing the best sound quality recordings available anywhere, we have decided to release the recordings extremely quickly for the fans who are still reeling from the concert. Will Electric Layla be back on the last day? Will that change the set list? Will we hear any comments from Clapton at the end? However, in the end, the setlist included the same unplugged Layla as on the second and subsequent days, and there was no comment from Clapton. However, considering Clapton's advanced age, fans felt that this might be his last performance in Japan. That is why 10,000 people went to the final show. Although we cannot foresee what will happen in the future, this is a superb sound quality disc that should be remembered as Clapton's last Japan concert at this point in time. The highlight of this final show, ironically enough, is the fact that Clapton, although showing signs of exhaustion, held it in check with professionalism and defended the quality of the songs to the hilt. The song \"Pretending,\" which started off on a sour note and revealed some questionable singing, made me wonder what was going to happen next, but Clapton is the man. He rode the wave with his favorite song \"Key to the Highway,\" and then he showed his true colors with a thrilling solo and deep singing on \"Wanna Make Love to You,\" which left the audience in a roar. This song was probably the best played of the night. The phrasing of I Shot the Sheriff, while faltering towards the end of the song, was nothing short of brilliant, building up from stillness to movement. The second half of the show was also a masterstroke. The second half of the show is no slouch either, with occasional flashes of danger. Clapton is a man who defends his playing quality while battling against the deterioration of his fingers due to old age. Clapton's performance, while resisting old age, evokes the state of indifference that only old age can bring out in a performer. This is the mirror of an aging professional. On the last day of the festival, I am sure the audience will remember this performance in their hearts and minds. This was a memorable final day. This is the only disc that delivers such an ultra-high quality. Please keep it as one of your eternal memories. Recorded from the front row of the arena. Miracle of the best sound quality. Live at Budokan, Tokyo, Japan 20th April 2019 ULTIMATE SOUND(from Original Masters) Disc 1(59:48) 1. Intro 2. Pretending 3. Key to the Highway 4. Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla Running on Faith Disc 2(44:56) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905350684976,"sku":"CDN-01113.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.20.2019-1-1.jpg?v=1696601470"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-18-2019","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.18.2019","description":"\u003cspan data-mce-fragment=\"1\"\u003eEric Clapton's Japan Tour 2019 continues its super-fast release! This week we will be releasing the original high quality sound masters of the 4th show on Thursday the 18th of last week, completed in just one week as a packaged media. This is the only way for you to collect all the performances! This master was recorded by the same person who provided the master for \"Eric Clapton - Budokan 2019 The 2nd Show\". The recording position is in front of the B8 block of the arena. As mentioned in the review of \"Eric Clapton - Budokan 2019 The 2nd Show\", this taper has earned a reputation as a recordist with outstanding sound quality. Accordingly, the sound quality of this disc is equally outstanding, with perfect clarity and balance. In the original master, there was a part where the audience clapped a little too loudly in the vicinity, but we have mastered it as much as possible without affecting the sound. The sound quality is now very good. The setlist had settled down, and the quality of the performance on the fourth day was finally solid. The melancholy of \"Wanna Make Love To You\" is a real masterpiece. The performance on this day was especially powerful! The solo on I'm Your Hoochie Coochie Man was also thrilling! The highlight of the first half, the postlude to I Shot the Sheriff, was the best of the five performances in terms of the strange phrase structure and the way it builds up. The acoustic set was solid, quiet, and tightly played, and the flow of the electric set in the second half was also rock solid. In a way, it's a rare scene. Clapton's solo was a bit more mature than the rest of the set, but he really came out firing at the end of his solo. Then, he properly took care of himself in Crossroads, Little Queen of Spades, and Cocaine. Especially in Cocaine, Clapton played his handiwork to the hilt, including his signature phrases. It was a great listening experience. In general, this was a day of high quality playing, and along with the second day, the 15th, it was a day full of engaging playing with few mistones. Please enjoy the high quality sound. The recording was made at the front of B8 block of the arena. Excellent sound quality. Live at Budokan, Tokyo, Japan 18th April 2019 TRULY PERFECT SOUND(from Original Masters) Disc 1 (57:43) 1. Intro 2. Pretending 3. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (45:38) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905363988784,"sku":"CDN-01111.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.18.2019-1_6ca8e9fc-5993-4b36-b08f-ca27cbb5264e.jpg?v=1696601602"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-17-2019","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.17.2019","description":"\u003cspan data-mce-fragment=\"1\"\u003eEric Clapton's first Japan tour in three years was a great success. In addition to the 4CDs containing the upgraded master of the first day, the high-quality original master of the third day, April 17, obtained directly from the taper, is also being released at the earliest possible time! Our motto is to release titles faster and better than anywhere else. The master of this disc was recorded by the same taper as \"Budokan 2019 Day 2\". The recording position is in the front of Arena A. If you have listened to \"Budokan 2019 Day 2\", you will be satisfied with the quality of the recording. If you have heard \"Budokan 2019 Day 2\", you must be satisfied with the quality of this disc. Like \"Budokan 2019 Day 2,\" the sound is stable and well balanced from the low to high frequencies. The sound is stable, with a good sound balance from the low midrange to the highs, and it is a realistic reproduction of the hall and atmosphere of the Budokan. The expected setlist was the same as on the second day, as expected by most. The setlist seems to have been fixed here, with no Electric Layla, and the unexpected, wild, and dangerous thrills of the first day are gone, but instead Clapton and the band seem to have hit their stride. However, Clapton seemed to be a bit tired on this day, and he played an out-of-tune phrase in the opening prelude before pretending to play it (?). He played a few out-of-tune phrases in the opening fingering exercise before Pretending, which made me think that he was tired, but then he also made some mistones in his solo. His voice was also not very good. However, he suddenly regained his groove on the next song, \"Key to the Highway. On \"Wanna Make Love to You,\" an outtake from the album \"AUGUST,\" which has become a hot topic among the fans because of its rare song selection, he played a passionate solo filled with emotion, and both his guitar and singing finally got into their stride. The next song, \"I'm Your Hoochie Coochie Man,\" brought the band back to full strength! From this point on, the set proceeded smoothly, following the song order of the second day. At the beginning of the acoustic set time, the band started the set with \"Hi, are you having a good time? at the beginning of the acoustic set time. At the end of the acoustic set, the band played an unplugged Layla, the same as on the second day. According to some reports, Martin suffered from a blister on his left finger on the first day, which forced him to switch from the hard electric Layla to the unplugged Layla, but the fullness of the unplugged Layla, with Martin's wonderful tone, was not to be dismissed. The flow of the second half of the show was as good as it has been for many years. The second half of the show returned to the pattern of the past few years, with Clapton's energetic, sky-scraping solo on Crossroads and the bluesy Little Queen of Spades, which really got to the hearts of the audience. At the end of the main set, he played Cocaine with a groove. The solo in the middle was played with a nuance and wow play that only Clapton could deliver. The encore was High Time We Went sung by Paul Carrack, as has been the trend in recent years. The solo here was the sharpest of the day, and the phrasing was so crisp and clear that I thought it was the best of the day. As one would expect from Clapton. Clapton's playing was full of life on this day. Every song was a great listen. The musical sounds are on and the audience is not so loud, so it is easy to listen to. The expression of Clapton's playing was different every day, so for now, please enjoy this disc, which reports the third day in the fastest and finest sound quality! Arena A3 block front. Excellent sound quality. Live at Budokan, Tokyo, Japan 17th April 2019 TRULY PERFECT SOUND(from Original Masters) Disc 1 (59:12) 1. Intro 2. Pretending 3. Key to the Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (45:12) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905378668848,"sku":"CDN-01110.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.17.2019-1-1.jpg?v=1696601733"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-15-2019-another-seat-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.15.2019 Another Seat Ver","description":"\u003cspan data-mce-fragment=\"1\"\u003eLegendary artist Eric Clapton is currently on a campaign to visit Japan. This is the original stereo audience source from April 15, the second day of the five consecutive Budokan shows in 2019. The master for this disc is of course a different master recorded by a different person than \"BUDOKAN 2019 DAY 2\" and is the first generation master that we independently obtained. What surprised me when I listened to it was that this master sounded as good as the released title. The clarity, sound balance, power, and stereo feel were all of high quality. The taper was recorded in Block A4. The taper was recorded in Block A4, the very front block of the arena. There was no way it could be bad. No wonder the quality should have been equal to \"BUDOKAN 2019 DAY 2\". As I mentioned in my review of \"BUDOKAN 2019 DAY 2,\" on the second day, the electric Layla, which was played for the first time in 10 years on the first day, was replaced by an unplugged Layla, killing the fans' expectations, but Clapton, as expected, raised the quality of his performance even higher and satisfied us. The performance quality was even better and the audience was satisfied with it. Clapton's solo on \"Pretending\" started off with a bang, and he played fast and furious. Wanna Make Love To You, which was his first set in 30 years, was also a wonderful solo, full of songfulness and fluidity. Clapton also played a fast and furious solo on \"Hocchie Coochie Man,\" and in the latter part of \"I Shot The Sherff,\" he unusually stepped out of the wah pedal and played a wild solo. Clapton showed no signs of \"deterioration\" due to old age, and his performance was as good as it was 10 years ago when he last played on the electric Layla. Compared to the first day, the performance was clearly more cohesive and his voice sounded better. The fingers were definitely working better, too. The second half of the show returned to the pattern of the last few years, with an encore of Paul Carrack's High Time We Went, but don't be disappointed. The quality of the playing on this day was outstanding. Of all the 5 shows in Japan, I would say that the quality of the performance was the best on this day. Just for fun, Clapton's introduction to the unplugged Layla featured a phrase from a classic Beatles song interspersed throughout the song (see the last part of this review for the correct name). Some rock fans in the audience quickly noticed this and cheered. In addition, this intro also included the original version of the seven-string phrase. This was quite an unusual pattern. This is another reason why Clapton can be enjoyed on a daily basis. Correct: Elinor Rigby Live at Budokan, Tokyo, Japan 15th April 2019 TRULY PERFECT SOUND (from Original Masters) Disc 1 (60:55) 1. intro 2. pretending 3. key to the Highway 4. Wanna Make Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (46:28) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Cocaine 6. High Time We Went Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocalsKaty Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905406030128,"sku":"CDN-01109.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.15.2019-1_48d62e86-18ba-417f-9c34-55451e27b49a.jpg?v=1696601976"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-20-2019-another-seat-ver","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.20.2019 Another Seat Ver.","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis is the release of the final show at Budokan on April 20, the last day of Eric Clapton's 2019 Japan Tour, using the original master provided directly by the recordist. The recording location was Arena A Block. Compared to the miraculous and super high quality recording of \"Day 5\" (front row recording, an absolute must-listen), it is true that there is a difference in quality, but that is because \"Day 5\" is just too good, and if you listen to this disc by itself, you will be fully satisfied with the high sound quality. Will Electric Layla be back on the last day? Will that change the set list? Will we hear any comments from Clapton at the end? However, in the end, the setlist included the same unplugged Layla as on the second and subsequent days, and there was no special comment from Clapton. However, considering Clapton's advanced age, fans felt that this might be his last performance in Japan. That is why 10,000 people turned out for the final show. Although we cannot foresee what will happen in the future, this is a vivid record of Clapton's last Japan concert that should be kept in mind for now. The highlight of this last date, ironically enough, is the fact that Clapton, although showing signs of fatigue, held it in check with professionalism and defended the quality of the songs to the end. The song \"Pretending,\" which started off on a sour note and revealed some questionable singing, made me wonder what was going to happen next, but Clapton is the man. He rode the wave with his favorite song \"Key to the Highway,\" and then he showed his true colors with a thrilling solo and deep singing on \"Wanna Make Love to You,\" which left the audience in a roar. This song was probably the best played of the night. The phrasing of I Shot the Sheriff, while faltering towards the end of the song, was nothing short of brilliant, building up from stillness to movement. The second half of the show was also a masterstroke. The second half of the show is no slouch either, with occasional flashes of danger. Clapton is a man who defends his playing quality while battling against the deterioration of his fingers due to old age. Clapton's performance, while resisting old age, evokes the state of indifference that only old age can bring out in a performer. This is the mirror of an aging professional. On the last day of the festival, I am sure the audience will remember this performance in their hearts and minds. This is a memorable final day. I would like to keep this recording for that reason alone. I am sure there will be many more good quality recordings of this show in the future, but I urge you to collect this one as well. Live at Budokan, Tokyo, Japan 20th April 2019 PERFECT SOUND(from Original Masters) Disc 1 (59:38) 1. Intro 2. Pretending 3. Key to the Highway 4. Love to You 5. I'm Your Hoochie Coochie Man 6. I Shot the Sheriff 7. Driftin' Blues 8. Nobody Knows You When You're Down and Out 9. Tears in Heaven 10. Layla 11. Running on Faith Disc 2 (46:04) 1. Badge 2. Wonderful Tonight 3. Crossroads 4. Little Queen of Spades 5. Eric Clapton - guitar, vocals Doyle Bramhall ? - guitar, vocals Chris Stainton - piano, keyboards Paul Carrack - organ, keyboards, vocals Nathan East - bass Sonny Emory - drums Sharon White - backing vocals Katy Kissoon - backing vocals\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905440043312,"sku":"CDN-01108.html","price":83.93,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.20.2019-1-1-1.jpg?v=1696602177"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-13-2019-omnidirectional-microphone","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.13.2019 Omnidirectional Microphone","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt's here! The first night of the 2019 Clapton Japan Tour that you've all been waiting for! The extremely rare number \"(I Wanna) Make Love to You\"! A must-see electric layla! John Mayer jumped in with \"Cocaine\"! For those who missed the performance, this is the fastest release of this historic stage with the well-known gem of audience recording! The label has been releasing definitive recordings since Clapton's Japan tour in 2009, and this is no exception. This time, they have again released a must-have, original audience recording using their well-known, directionless high-end microphones, with excellent sound quality, which we can say is the definitive recording of the first day of the show for the time being! Included = Nippon Budokan, April 13, 2019 Sound Source = Original Audience Source (Omnidirectional High-End Microphone) Recorded Live at Nippon Budokan, Tokyo, Japan 13th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional Microphone) (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Running on Faith 09. Nobody Knows You When You're Down and Out 10. Tears in Heaven (Disc 2) 01. Layla 02. Wonderful Tonight 04. Cross Road Blues 05. Little Queen of Spades 06. Before You Accuse Me Encore: 07. Cocaine 08. ----\u0026gt;\u003c\/span\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905601950000,"sku":"CDN-01081.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.13.2019-1-1-1-1.jpg?v=1696603021"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-15-2019-omnidirectional-microphone","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.15.2019 Omnidirectional Microphone","description":"\u003cspan data-mce-fragment=\"1\"\u003e2019 Clapton Japan Tour Second Night! The fastest and most definitive version of the well-known gem of original audience recordings is now in stock! The label has been releasing definitive recordings since Clapton's tour in Japan in 2009, and this time, the original audience recording is again made with an omni-directional high-end microphone, and the sound is of the highest quality and does not disappoint. The sound quality is as high as you would expect. This is the definitive recording of the second day performance for the time being, and a must-have with excellent sound quality! Recorded Live at Nippon Budokan, Tokyo, Japan 15th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional High-End Microphone) MASTER - Omnidirectional Microphone) (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Cocaine Encore: 06. High Time We Went 07. Closing\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905654182192,"sku":"CDN-01080.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.15.2019-1-1_442b5b1f-6bb7-4b8f-9b6b-f6503d7ac7c8.jpg?v=1696603260"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-17-2019-omnidirectional-microphone","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.17.2019 Omnidirectional Microphone","description":"\u003cspan data-mce-fragment=\"1\"\u003e2019 Clapton Japan Tour Third Night! The fastest and most definitive version of the well-known gem of original audience recordings is now in stock! The label has been releasing definitive recordings since Clapton's tour in Japan in 2009, and this time, the original audience recording is again made using a directionless high-end microphone, and the sound is of the highest quality and does not disappoint. The sound quality is as high as you would expect. This is the definitive recording of the third day performance for the time being, a must-have with excellent sound quality! Content = Nippon Budokan, April 17, 2019 Sound Source = Original Audience Source (Omnidirectional High-End Microphone) Recorded Live at Nippon Budokan, Tokyo, Japan 17th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional Microphone) (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Cocaine Encore: 06. High Time We Went 07. Closing\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905689866544,"sku":"CDN-01079.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.17.2019-1-1-1.jpg?v=1696603441"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-18-2019-omnidirectional-microphone","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.18.2019 Omnidirectional Microphone","description":"\u003cspan data-mce-fragment=\"1\"\u003e2019 Clapton Japan Tour Force Night! The fastest and most definitive original audience recordings of the well-known gems are now in stock! The label has been releasing definitive recordings since Clapton's tour in Japan in 2009, and this time, the original audience recording is again made using a directionless high-end microphone, and it is a top quality recording that will not betray your expectations. The sound quality is as high as you would expect. This is the definitive recording of the 4th day performance for the time being, and a must-have with excellent sound quality! Content = Nippon Budokan, Tokyo, Japan 18th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional High-End Microphone) Recorded Live at Nippon Budokan, Tokyo, Japan 18th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional High-End Microphone) MASTER - Omnidirectional Microphone) (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Cocaine Encore: 06. High Time We Went 07. Closing\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905722994992,"sku":"CDN-01078.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.18.2019-1-1_b4a00c05-2fea-4ba5-a896-186a6c5e494f.jpg?v=1696603567"},{"product_id":"eric-clapton-eric-clapton-tokyo-japan-4-20-2019-omnidirectional-microphone","title":"Eric Clapton Eric Clapton\/Tokyo,Japan 4.20.2019 Omnidirectional Microphone","description":"\u003cspan data-mce-fragment=\"1\"\u003e2019 Clapton Japan Tour Fifth Night! The fastest and most definitive original audience recordings of the well-known gems are now in stock! The label has been releasing definitive recordings since Clapton's tour in Japan in 2009, and this time, the original audience recording is again made using a directionless high-end microphone, and the sound is of the highest quality. This is the highest quality sound you can expect from this recording. This is the definitive recording of the final show for the time being, and a must-have with excellent sound quality! Source: Original audience source (omni-directional high-end microphone) Recorded Live at Nippon Budokan, Tokyo, Japan 20th April 2019 (ORIGINAL AUDIENCE MASTER - Omnidirectional High-End Microphone) MASTER - Omnidirectional Microphone) (Disc 1) 01. Opening 02. Pretending 03. Key to the Highway 04. (I Wanna) Make Love to You 05. I'm Your Hoochie Coochie Man 06. I Shot the Sheriff 07. Driftin' Blues 08. Nobody Knows You When You're Down and Out 09. Tears in Heaven 10. Layla 11. Running on Faith (Disc 2) 01. Cocaine Encore:06. High Time We Went 07. Closing\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905753665840,"sku":"CDN-01077.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-4.20.2019-1-1-1-1.jpg?v=1696603700"},{"product_id":"eric-clapton-eric-clapton-hiroshima-postal-savings-hall-1979-complete-hiroshima-japan-1979-complete","title":"Eric Clapton Eric Clapton\/Hiroshima Postal Savings Hall 1979 Complete Hiroshima,Japan 1979 Complete","description":"\u003cspan data-mce-fragment=\"1\"\u003eAs part of the 1979 Backless World Tour, the band performed 10 shows in Japan, of which the December 3\u0026amp;4 Budokan show was later released as the official live album The Budokan concert on December 3\u0026amp;4 was later released as the official live \"JUST ONE NIGHT\" as is well known. This title is a full recording of the live performance at Postal Savings Hall in Hiroshima on November 28, the early stage of this Japan tour, from an audience master that was discovered for the first time in recent years. This is the first time that a high-quality audience master has appeared on the market, and it was recorded from a very close position, and the taper recorded it on a cassette tape at the time and kept the DAT copy. The set list, which started with \"Tulsa Time,\" consisted mostly of songs from Clapton's solo albums, including covers, The cover of Dire Straits' \"Set Me Up\" is from Albert Lee's solo album \"Haiding\", and Albert also sings lead vocals on this song. Japan 28th November 1979 DISC 1 : 01. Tulsa Time 02. Early In The Morning 03. Lay Down Sally 04. Wonderful Tonight 05. If I Don't Be There By Morning 06. Life Blues 07. Country Boy 08. All Our Past Times 09. Blues Power 10. Double Trouble DISC 2 : 01. Knockin' On Heaven's Door 02. Setting Me Up 03. Mind - Have You Ever Loved A Woman 04. Cocaine 05. Layla 06. Further On Up The Road Eric Clapton:Guitar \u0026amp; Vocal \/ Albert Lee:Guitar \u0026amp; Vocal \/ Dave Markee:Bass \/ Henry Spinetti:Drums \/ Chris Stainton:Keyboards\u003c\/span\u003e\u003c!-- ------\u003e\u003cbr\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46905912262960,"sku":"CDN-11166.html","price":83.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/EricClapton-Japan-1979-1.jpg?v=1696604804"},{"product_id":"a-ha-1987-japan-tour-osaka-june-29-1987","title":"a-ha, 1987 Japan tour, Osaka, June 29, 1987","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ea-ha live performance at Castle Hall:Osaka Japan on June 29, 1987. \u003c\/span\u003e\u003c!-- ------\u003e\u003c\/p\u003e\n\u003cp\u003eSetlist:\u003cbr\u003e01. Intro 02. Cry Wolf 03. Maybe, Maybe 04. Here I Stand And Face The Rain 05. Manhattan Skyline 06. The Sun Always Shines On T.V. 07. Scoundrel Days 08. The Swing Of Things 09. We're Looking For The Whales 10. The Weight Of The Wind 11. Hunting High And Low 12. Touchy 13. Take On Me 14. The Living Daylights\u003cbr\u003e-(Encore)-\u003cbr\u003e15. I've Been Losing You 16. And You Tell Me\u003cbr\u003ea-ha Recorded live at Castle Hall:Osaka Japan on June 29, 1987. This is the second time for a-ha to visit Japan, following their first visit in 1986 for their Japan tour as part of their world tour following the worldwide success of \"Take On Me\". The Japanese MC between songs is also very light and enjoyable. \u003c\/p\u003e","brand":"Mochiobase CD","offers":[{"title":"Default Title","offer_id":46909141156144,"sku":"aha0002.html","price":90.34,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0820\/6585\/0672\/files\/a-ha-Japantour-June29-1987.jpg?v=1696637138"}],"url":"https:\/\/mochiobasecd.com\/collections\/japan-live.oembed?page=48","provider":"MochiobaseCD","version":"1.0","type":"link"}