BAD COMPANY was at the height of its popularity in 1974 when it made its shocking debut, and the legendary soundboard album that has reigned as an icon alongside its debut album has been brushed up. This album contains a stereo soundboard recording of the March 9, 1974 Newcastle concert. This is a stereo soundboard recording of the Newcastle concert on March 9, 1974. The most important point of this album is the completely official sound, but it is also important to note the timing of the dawn of the band's career, just after the start of their activities. To understand the early stage of the band, let's start with the schedule of that time. February 23 - March 9: Europe (3 concerts)←★★★★ - April 7 - 18: UK #1 (9 concerts) 《May 10: release of the single "Can't Get Enough"》 - May 18: London concert ∙ June 8: Böblingen concert ∙ June 26: "Bad Company" released The first release was the preceding single "Can't Get Enough". The first release was the preceding single "Can't Get Enough," but the Newcastle show of this album was two months before that, and it was the third show of the existing tour dates, which was at the very beginning of the tour. The quality of this work, which conveys the "site where history began to move," is also historic. The master itself is the highest version known from the past, but this time it has been finely mastered. This time, it has been finely mastered and permanently preserved at the highest level. The key point is "repair. Instead of making the sound more flashy, we have recreated the original 1974 sound as accurately as possible. The method used was simple and faithful to the basics. Pitch and phase shift correction, treatment of minute noise, and so on. What was particularly important this time was the sound pressure. I am not saying that the sound pressure is too high to be powerful! I am not saying that the sound pressure was increased to make it more powerful! Rather, the sound pressure was (slightly) unstable in the previous master. The sound pressure was changing randomly, so it is difficult to make a general statement, but roughly speaking, the sound pressure seemed to decrease toward the latter half of the tape. In this work, such "shaking" has been stabilized. The perfection as a musical work has been pushed to the limit. The brushed-up sound brings back to life the stage where the glory has just begun. The set that was unique to the early period is also important, so let's sort it out here. Bad Company (6 songs) / Rock Steady / Ready For Love / Don't Let Me Down (★) / Bad Company / Movin' On / Can't Get Enough Others (5 songs) / Single B-side: Little Miss Fortune (★: cut-in) ) / Easy On My Soul (★) / Other: Deal With The Preacher / The Stealer / Rock Me Baby (★) *Note: Songs marked with "★" are limited to the 1970s only. You can find this at ....... Unfortunately, "Little Miss Fortune" starts as a cut-in, but the rest of the album is complete. The band performs "Easy On My Soul" and "The Stealer" from the FREE era as well as their debut "BAD COMPANY". Particularly rare is the B.B. King cover "Rock Me Baby," a very early and limited song that was only recorded within 1974. And the performance that spells out such a set is deep. Too deep; BAD COMPANY itself is the successor to FREE, but the colors are especially rich in this album. After all, in this album, they have not achieved any real success, even though they feel good about their new band and their debut album. They have not yet shown their eagerness to go out with a bang, while keeping their expectations and ambitions in their hearts. Their earnestness to prove their ability and nourishment with all their might is fresh. The set is full of classic songs from their debut album, but the depth of the performance is even more impressive. This is a historical soundboard album that is both in name and reality "the live version of BAD CO. This is a piece that has been treated in every detail and polished as a musical work of art to be passed down to future generations. Stereo soundboard recording of the March 9, 1974 Newcastle concert. Although it was originally of official quality, this time even minute noises and slight sound pressure fluctuations were thoroughly corrected. This time, even minute noises and slight sound pressure fluctuations were thoroughly corrected to pursue the potential of the album as a musical work. Live at Newcastle City Hall, Newcastle, UK 9th March 1974 STEREO SBD(UPGRADE) (56:18) 1. Rock Steady 3. Ready For Love 4. Don't Let Me Down 5. Easy On My Soul 6. Bad Company 7. Deal With The Preacher 8. Movin' On 9. Can't Get Enough 10. Stealer 11. Rock Me Baby Paul Rodgers - Vocal Mick Ralphs - Guitar Boz Burrell - Bass Simon Kirke - Drums STEREO SOUNDBOARD RECORDING
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