This spring, the Beatles' 1963 Stowe School live recording stunned enthusiasts worldwide when it was revealed to exist, The fact that a full-size show at the unique boys' school was recorded at a time when there was no other live recording of the band's performances except for their BBC radio appearances, and that the recording still exists, was a source of great excitement. The item was immediately released last month, and enthusiasts from all over the world flocked to it, but the source of distribution was the library. The fact that there were enthusiasts who dared to record the music while they were allowed to listen to it there. However, it was impossible to record with plug-ins, so the sound was recorded by picking up the sound from the speakers. The library was a place where it was difficult to record with the playback volume turned up, so I turned up the volume of the recording equipment instead, and the result was the noise in between the songs. As if to remind us of the recording at the library, classical music, which had nothing to do with the Stowe School, was playing in the distance before the start of the live performance. A library is a place where classical music is played at a low volume in the place. In addition, in the middle of "A Taste Of Honey," there are also noises that seem to have been made by someone nearby. In addition to the noise, the tape is also low in pitch. After the appearance of the earlier item, the condition of the sound source became a topic of discussion among enthusiasts. This time, of course, it is not a copy of the earlier item or an internet version of the earlier item with the pitch corrected, but a library recording sent from an enthusiast in the UK. This time, of course, it is not a copy from a prior item or a re-pitched internet version of a prior item, but an independently obtained sound source based on a library recording sent by an enthusiast in England. However, even though it is an independently obtained sound source, it would not be artistic to release it as it is, since there is already a prior item. How much can the boiler tone noise between songs, which is a chronic problem of this recording, be mitigated? Is it possible? GRAF ZEPPELIN" came up to the challenge. He can fix low pitches in no time at all, and it is that boiler tone noise that concerns me. Of course, if all of the boiler noises were suppressed, the sound would become extremely unnatural, but "GRAF ZEPPELIN" handled this problem very well. The boiler noise, "go," was reduced to a hissing "sir" sound, making it easier to listen to at once. The difference is obvious when compared to the versions currently available. The existence of the sound source and even the fact that it was available in the first place was a great historical discovery and distribution, but even so, there is nothing better than an easy-to-hear version. It was a legendary day in the Beatles' early live activities after their debut, and it was said that the live performance at Stowe School was held in a quiet atmosphere because it was a boys' school. But when I got to listen to it, I realized that it was a different atmosphere from what I had been told. Although there was no Beatlemania-like screaming after the explosion of the band's popularity, the band still showed a frenzied excitement in many places, starting with "Misery," which became more intense when they played "Hippy Hippy Shake. On the other hand, the pastoral excitement that was typical of the pre-breakup period was also smiling, with the friendly hand-clapping that erupted during their debut song, "Love Me Do. Please Please Me" also drew a large chorus, befitting the Beatles' first number one hit single. This reaction is typical of a band that had just made its debut and was beginning to attract attention, but had not yet made its big breakthrough. The Beatles' performance was also wonderful, as they performed with a lot of composure under such circumstances. The "Too Much Monkey Business" and the other songs are just like the BBC "SIDE BY SIDE" take recorded this morning, which reminds us that they were performed on the same day. The same repertoire of "I Just Don't Understand" and "I'm Talking About You" that was performed by the BBC at the same time was also performed in front of an audience, which made the performance more powerful and appealing. Also, since George was unable to sing on this day, Ringo sang two songs in place of George, and it was truly rare to hear them sung one after the other. For the finale, "I Saw Her Standing There" was sung again, but unfortunately the recording ended halfway through. Unfortunately, the recording ended in the middle of the song. This time, the tape was left incomplete without any pseudo-complete editing, such as connecting the opening take, which resulted in a longer performance before the end of the tape than the preceding item, although it lasted about two seconds. The opening of the song is recorded from the moment the recorder is switched on, not from the fade-in, so you can understand that this release is based on a version obtained independently. (Remastering memo) ★ Pitch correction ★ Minimized hiss noise (spray noise) and adjusted low frequency boiler (or subway) sound as much as possible. It is a difficult question to decide which to choose, but at least it is easier to listen to compared to the original hiss and boiler sound. I think this is a good compromise. There are a few cuts, some edited, some left as is. I Saw Her Standing There at the end of the song is also cut out from the original recording, but not faked in order to differentiate it from the original. Roxburgh Hall, Stowe School, Buckinghamshire, UK 4th April 1963 (58:22) 01. introduction 02. i Saw Her Standing There 03. Too Much Monkey Business 04. Love Me Do 05. Some Other Guy 06. Misery 07. I Just Don't Understand 08. Matchbox 11. From Me To You 12. Thank You Girl 13. Memphis, Tennessee 14. A Taste Of Honey 15. Twist And Shout 16. Anna (Go to Him) 17. Please Please Me ★0:38 cut However, I didn't edit it 18. Hippy Hippy Shake 19. I'm Talking About You 20. Ask Me Why 21. Till There Was You 22. Money (That's What I Want) ★After 0:19, level down part volume adjustment /0:25 Cut Out 23. I Saw Her Standing There ★0:01 (count section) cut / 1:29 cut out
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