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Rolling Stones Rolling Stones/Germany 1990 2Days New Source
Rolling Stones Rolling Stones/Germany 1990 2Days New Source
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As is also true for the released "LOS ANGELES 1989 1ST NIGHT: MIKE MILLARD MASTER TAPES," the Rolling Stones' 1989-90 The Rolling Stones' 1989-90 world tour was a long-awaited resumption of their activities, and stadium-class venues were the norm. This made it difficult for the tapers to find good positives, and there were no audience recordings that could be called "like a soundboard". This has been a consistent phenomenon throughout the Urban Jungle tours in the U.S., Japan, and now in Europe. When it comes to Urban Jungle, we are no more blessed with the quality of audience recordings than we were in the U.S. and Japan before that, and it is a period when there are few items available from rear ties to the present. DAT recorders were not yet widely used by enthusiasts during this period, which also contributed to the poor sound quality of the Urban Jungle period. The fact that there were more analog LPs than CDs in the rear tie-in shows the poor quality of the audience recordings in this tour. And just like Atlantic City and Tokyo Dome, Urban Jungle also had a radio broadcast of the definitive stereo soundboard of Wembley Stadium on July 7, which was the only choice for the audience recording. In any case, the period from 1989 to 1990 was a very long period of time. In any case, there is no doubt that the 89-90 tour has been a time when items have been scarce. That is why I was surprised at the high level audience recording of 1989 like "LOS ANGELES 1989 1st NIGHT: MIKE MILLARD MASTER TAPES" that Mike Millard, who hates stadiums, painstakingly left behind as mentioned last week. The new master is from the Urban Jungle Tour, which was recorded in May by Frank Hughes, the band's producer. The new master is from Frankfurt, Germany, in May. Two shows were held in Frankfurt, and the taper who attended both shows has now released the sound recordings. The first day in particular has never been recorded in any form before, so it is a highly valuable find for enthusiasts. The sound image of the first day is a bit distant, as is typical of the Urban Jungle Tour recordings, but the quality is still good enough to hear Mick's voice loud and clear. The original cassette recording had a high pitch when it was released on the Internet, but this has been adjusted for the release, making it much easier to listen to. The most important thing to note is the high tension between Mick and Keith. First of all, Mick was on top of his game from the very beginning, and his singing on "Factory Girl," the second live performance of the song, was outstanding. Later, the Wembley take was recorded for "Flashpoint" and has become a rare number representing this tour, but the performance here was also excellent. Keith was also on top of his game, singing "Can't Be Seen" himself, from the count before he started playing to the "Hey! The taper, based on the first day's experience, was very excited. Based on the experience of the first day, the taper dared to record the second day by rushing into the field closer to the stage. Three different recordings of this day had been released on various items in the past, and many of you may feel nostalgic for "FRANKFURT SHUFFLE" among them. This is a completely different audience recording from the past items, and the natural sound quality from the cassette master is exceptional. The difference in sound quality is obvious even when compared to the old "FRANKFURT SHUFFLE," but the new source is even easier to listen to thanks to the addition of pitch adjustment and equalization to alleviate the bass echoes. As is typical of the Urban Jungle Tour, the surroundings are lively, but it is also good that the performance is captured in a larger-than-life format. The band members were in great shape on this day, and their performance was very energetic. Mick was in high spirits even more than the day before, and his singing on "Almost Hear You Sigh," a masterpiece of the Stones' latest R&B ballad at that time, was truly a great song. The lighthearted rendition of "Dead Flowers," which was revived only twice at Urban Jungle, is also a masterpiece. In addition, the band members including Mick introduce the band members in a lively and mischievous manner, and other fun and lively scenes that were unique to the Urban Jungle period are also featured prominently. Waldstadion, Frankfurt, Germany 26th & 27th May 1990 TRULY PERFECT SOUND*NEW SOURCE! Waldstadion, Frankfurt, Germany 26th May 1990★First time on record this date Disc 1 (64:11) 1. Continental Drift 2. You 7. Almost Hear You Sigh 8. Ruby Tuesday 9. You Can't Always Get What You Want 2. Can't Be Seen 3. Happy 4. Paint It Black 5. 2000 Light Years From Home 6. The Devil 7. Street Fighting Man 8. Gimme Shelter 9. Band Introductions 10. It's Only Rock'n Roll 11. Brown Sugar 12. Satisfaction 13. Jumping Jack Flash 14. Carmen / Ride of The Valkyries Waldstadion, Frankfurt, Germany 27th May 1990 Much better recording than the original "FRANKFURT SHUFFLE Disc 3 (59:13) 1. Continental Drift 2. Start Me Up 3. Bitch 4. Sad Sad Sad 5. Harlem Shuffle 6. Tumbling Dice 7. Miss You 8. Almost Hear You Sigh 9. Ruby Tuesday Mixed Emotions 13. Honky Tonk Women Disc 4 (79:16) 1. You Can't Always Get What You Want 2. Red Rooster 3. Before They Make Me Run 4. Happy 5. Paint It Black 6. 2000 Light Years From Home 7. Sympathy For The Devil 8. Street Fighting Man 9. Band Introductions 11. It's Only Rock'n Roll 12. Brown Sugar 13. Satisfaction 14. Jumping Jack Flash 15. Valkyries
