The Rolling Stones 1990 Urban Jungle Tour has been a little bit scarce to this day, despite the number of tours that took place. The "FRANKFURT 1990" release, which was released in order to revive the situation, has been a bestseller and has been welcomed by enthusiasts to this day, and now we are releasing another rare sound source from the first half of the Urban Jungle tour. This time, however, we are releasing another rare recording of the first half of Urban Jungle's tour, this time even more rare than the last time in Frankfurt. Hannover on May 24th. The rare songs from that day have been released on the compilation LP "I'M LIVING WITH THESE MEMORIE..." released by the OBR label in 1990, when analog records were in decline (a situation that seems unbelievable now that they have been restored to such a degree), and on the low-priced reissue of the compilation LP "E'M LIVING WITH THESE MEMORIE...", which was released on the OBR label in 1990. The only recordings of the show were on "EUROPE '90 REMEMBER THESE DAYS", a low-priced reissue of "I'M LIVING WITH THESE MEMORIE...", which was released on the OBR label in 1990. The concert was held on two consecutive nights in Hanover, and this release is for the second night. The second night was definitely more interesting than the first, so it was inevitable that this would be the date for the release. In fact, I would say that this is one of the most interesting days of the first half of the Urban Jungle Tour. The original audience recording for this release is different from the two LPs mentioned above. The original audience recording for this release is different from the two LPs mentioned above, and although it picks up a certain amount of the surrounding excitement, fortunately it never overshadows the performance. The most important point is that the sound image is closer and more audible than the LP, without the stress of the wind-driven swell that is common in audience recordings made in open-air venues. Even the climax of the latter half of the concert, such as "Satisfaction," is captured without being buried, making the performance rather enjoyable to listen to. The sound quality is still good enough to listen to, and it is hard to believe that the cassette master, which contains relatively recent records of the Stones, was kept in a dormant state until 2023. It is hard to believe that the cassette master, which contains the Stones' recent records, was left in storage until 2023. The Stones' recent cassette masters are still audible enough, and it is hard to believe that they sat around until 2023, despite being relatively recent cassette recordings of the Stones. The high pitch of the cassette recording had been left unplayed, so we made a thorough adjustment to the pitch. After all, the performances on this day were outstandingly interesting. The band had practically completed their tour of the U.S. and Japan before heading to Europe, so the performance was already at a high level of perfection on the fifth day of the Urban Jungle tour. Even from the beginning of the live performance, such as "Bitch," the band's performance was outstanding. Factory Girl" was performed in the midst of such momentum, and although this was the first live performance, the performance was so well thought out that it was hard to believe that it was the first time the song was performed. The LP soundtrack I mentioned earlier made it difficult to hear this song, so listening to it on this recording makes the splendor of the first performance seem even more real. I Just Wanna Make Love To You", which was also a rare repertoire song representing Urban Jungle, was performed for the first time on this tour. As you can imagine from the position of the song, the Stones probably intended to play this song in the blues repertoire instead of "Little Red Rooster" at first. However, the performance was unexpectedly awkward, and it is rather funny that it is not as perfect as the Wembley take that was later officially released as a coupling of a single. I think this is typical of the Stones in the early stages of the tour. First of all, Keith tried to start "Before They Make Me Run" with a mysterious phrase, but had to redo it. Those who were present must have been confused, wondering if a new song was about to start. I am sure they must have been confused. Perhaps to hide his embarrassment at such an ordinary mistake, Keith started to sing "Happy" in such a high tension that it was almost laughable. But the most extreme song of all is "Sympathy for the Devil. As introduced in the research book, when Mick tried to sing from the high platform of the stage set as usual, the wireless microphone stopped responding and the beginning yell could not be heard. The introduction continued awkwardly, despite the audience's excitement at the hooting and hollering chorus. In the end, Mick got off from the high platform and signaled the band to start singing without yells, which turned out to be the rarest opening of the tour. Such happenings and rare repertoire. This is a truly interesting and mania-filled recording that is different from "FRANKFURT 1990" and is full of the charms of the early stages of the urban jungle! Remastering Memo Corrected fast pitch. The high notes seem to have been pinpointed and dropped in the online source because of hiss, so I lifted the pitch to a level that was not too much. The hi-hat is now out of place, so the overall impression is quite good. Niedersachsenstadion, Hanover, West Germany 24th May 1990 PERFECT SOUND Disc:1 (73:53) 1. Continental Drift 2. Sad Sad Sad 5. Tumbling Dice 6. Miss You 7. Almost Hear You Sigh 8. Ruby Tuesday 9. Factory Girl★Live Premiere 10. Rock and a Hard Place 11. Mixed Emotions 12. Honky Tonk Women 13. You Can't Always Get What You Want 14. I Just Wanna Make Love to You 15. Before They Make Me Run 16. Happy Disc:2 (54:30) 1. Paint it Black 2. 2000 Light Years from Home 3. Sympathy for the Devil 4. Street Fighting Man 5. Gimme Shelter 6. Band Introductions 7. It's Only Rock 'N Roll 8. Satisfaction 10. Jumping Jack Flash 11. ---->
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